CONTENTS ISSUES 81 - 100
NUMBER 81 / SUMMER 1996-97 Contents Exhibitions Paul Radford Rodney Kirk Smith (1937-1996) Nigel Clark Down Under Ether: Operating in the Electronic Bodyscapes Ngahuia Te Awekotuku Unveiling Our Hidden Treasures: The Seventh Pacific Festival of the Arts Talking Photos: Marti Friedlander and Ron Brownson Linda Tyler Portrait in the Looking Glass: The Paintings of Jacqueline Fahey Gregory O'Brien The World Over: No Place Fast, Some Place Slow Kevin Ireland Out in the Middle: An Interview with Mainstream Stalwart Tom Mutch Anna Miles Stylistic Ventures: Quartet in Auckland Damian Skinner Japanese Identity: The Prints of Reiko Elliott David Eggleton Ralph Hotere: Shadowing the Sublime Mark Stocker 'Our Local Praxitekles' Margaret Butler and her Sculpture Books
NUMBER 82 / AUTUMN 1997 Contents Allan Smith Skirting Abstraction: Scepticism & Sensibility Lisa Taouma Nukututaha: A Place to Stand Alan Wright The Alchemy of the Painted Surface: The Early Work of Milan Mrkusich 1960-65 Cathie Dunsford Visual Storyteller: The Art of John Foster Peter Wells Missing Persons Elizabeth Eastmond Excavating Meanings: A Conversation with Megan Jenkins Jonathon Mane-Wheoki Buck Nin and the Origins of Contemporary Maori Art Jillian Lloyd The Art of Jane Brenkley Richard Wolfe A Terrible Bird: The Rise adn Fall of the Moa in New Zealand Art Books
NUMBER 83 / WINTER 1997 Contents Exhibitions
Brett Levine, Auckland; Louise
Garrett, Wellington Peter Shand Transfusion: the Hong Kong Connection Gregory O'Brien Little Rotter: The Progress of a 'Serious Artiste' - Dick Frizzell Mid-Career Linda Tyler Badges of Courage Sarah Gibson Circus of Angels: Recent Work by Christine Webster Richard Wolfe Civil and Civic: The Urban View of George Baloghy Tim Walker Murray Grimsdale: Three Decades Hard Labour Kyla McFarlane One Night of Love: The Photographic Vision of Fiona Pardington Peter Simpson Don Peebles at 75: Alive and Working Among Us Paul Sorrell Jane Eyre, Auckland Artist (1874-1952) Donald Bassett Felix Kelly: An Introduction Books
NUMBER 84 / SPRING 1997 Contents Exhibitions Brett Levine, Auckland; Louise Garrett, Wellington Dorothée Pauli, Christchurch; Rob Garrett, Dunedin Ian Wedde The Jacobin Spirit: Rob Taylor (1945-1997) Elizabeth
Eastmond Still Room for Breaking Rules: Installations by Monique
Redmond and Joanna Margaret Paul Variety: The Arts of Rhondda Greig John Dickson Eion Stevens Cassandra Fusco From Edge to Inroads: Alan Pearson in Australia Allan Smith The Pragmatic Romanticism of Bill Culbert Hugh Maguire Welcome to My World: Robin Morrison, Photographer Danielle Tolson Saskia Leek Miriam Harris Ordinary Things: The Not So Ordinary Art of Marie Shannon Leo King Temples & Icons: Some Works by Bronwynne Cornish Robyn Johnstone Faking Authenticity: The Other C.F. Goldie Leonard Bell A Star is Reborn: Goldie the Exhibition Books
NUMBER 85 / SUMMER 1997 - 1998 Contents Kathlene Fogarty Jean Horsley 1913-1997 Exhibitions
Brett Levine, Auckland; Damian
Skinner, Wellington Kyla McFarlane Stories, Objects & Masquerades: The Sharp & Shiny Show Peter Simpson A Renovating Virtue: Michael Smither's Spots of Time Allan Smith Robert McLeod and The Giggler in the Wood Claudia Bell Roadside Exhibitionists: Configuring the Vernacular Nicola Green Is There a Doctor in the House? The Art of Judy Darragh Gregory O'Brien Urgent Columns, All Rain: Recent Sculptures by Chris Booth Cathie Dunsford Wordcarver: The Sculptures of Pat Foster Robin Woodward Alison Duff Sculptor Riemke Ensing Another Portrait: Frances Hodgkins Everywhere Books
NUMBER 86 / AUTUMN 1998 Contents Rob Garrett Developing Community Arts: Dunedin's Public Sculptures Lawrence McDonald Weird Scenes in the Museum Case: Terry Urbahn Provides a Service Wayne Lorimer Spirits in the Material World: The Art of Catherine Manchester Louise Garrett The Contrary Vernacular of Boyd Webb Michael Gifkins Artists in Eden Norman Bilbrough Photos from Nowhere William Dart Gow Langsford: From West Lynn to Wellesley Street Rachel Kent An Ambiguous Abstraction: Recent Paintings by Luise Fong Richard Dingwall I've Done All the Dumb Things: Recent Works by Ewan McDougall Leonard
Bell A Series of Displacements: An Introduction to the Art of Frederick
Ost Damian Skinner Primitivist Posings : Theo Schoon at the New Vision Gallery Douglas Lloyd-Jenkins Avis Higgs and the Maori Motif Textile Linda Tyler Tender Violence: The Watercolours of Margaret Stoddart (1865-1934) Books
NUMBER 87 / WINTER 1998 Contents Exhibitions Mark Kirby Art as Fashion, Fashion as Art: Deborah Crowe & Kim Fraser Ron Brownson Andy Lelei: Conversation at the Dead Mango Studio David Hill Hits and Myths: John McLean 's Taranaki Peter Shand An Eye for Detail: Surveying the Art of Carole Shepheard Vaughan Gunson Drawing Some Universals: Recent Work by Nancy de Freitas David Eggleton Russell Moses: Clear and Open Peter Simpson Chaos Contained: The Art of Richard Lewer Christina Barton Pushing the Envelope: Developments at the Govett-Brewster Art Gallery Richard Wolfe Painting in the Background: Artists Working in the Museums of New Zealand Miriam Harris David Low and the Art of Political Caricature Hugh Maguire On the Margin: John Kavanagh, Sculptor (1903-84) Books
NUMBER 88 / SPRING 1998 Contents Exhibitions Andrea Daly Korero A Te Whatu: The Persuasive Object Damian Skinner Lest We Forget: Memory and the Mercer War Memorial Elizabeth Hartrick Support and Sustenance: The Olivia Spencer Bower Foundation Warren Feeney Traversing the Urban Landscape: The Art of Ross Gray Chad Taylor Slap-Happy: New Work by Ken Robinson Riemke Ensing Flesh and Vulnerability: Recent Work by Mary McIntyre Peter Simpson Thinking in Stone: John Edgar's Lie of the Land Robert Leonard Some Sun, Some Mist, Some Shadow: A Conversation with Rudi Fuchs Joanna Margaret Paul Every Angel is Terrible: Peter Ireland's Sampler Paintings Mark Derby Summer Memories: Art on the Beach 1998 Judith McKay Ellis Rowan: An Australian Flower Painter in New Zealand Francis Pound Honouring Hattaway: The Murmurings of Modernism Books
NUMBER 89 / SUMMER 1998 - 1999 Contents Exhibitions
Brett Levine, Auckland; Damian
Skinner, Wellington Gerald Barnett Remembering Toss: Sir Tosswill Woollaston 1910-1998 Richard Wolfe Tracing on Stone: Tony Fomison ' s Lithographs at Muka Miriam Harris Telling Stories: The Stedelijk Saga Nicola Green Amphetamine Queens: Recent Work by Alexis Hunter Susan Foster The Theatrical Frame: A Conversation with Austin Davies David Cross A Walk along the Faultline: The Art of Chris Heaphy Robin Woodward The Artist's Hand and Eye: Terry Stringer's Personal Museum Luit Bieringa The Fact of the Matter: Siting Les Cleveland John Hurrell Sellotape on Metal in Video: David Clegg in Hamilton Ngarino Ellis Sir Apirana Ngata and the School of Maori Arts Leoni Schmidt In Need of Archives: Recent Work by Lloyd Godman David Eggleton Grog' s Own Country: Trevor Moffitt in Gore Richard Wolfe Trains & Boats & Planes: Transports of Delight in N ew Zealand Art Mark Stocker Something Beautiful for God: The Sculpture of Ria Bancroft Books
NUMBER 90 / AUTUMN 1999 Contents Bricks in Aspic: Adrian Hall talks to Wystan Curnow & Robert Leonard Caroline Vercoe A Pacific Presence: Tautai at the Sixth Australian Art Fair Deirdre Brown Initiative and Initiation: Memory Walking at the City Gallery Hugh
Maguire All Things Bright and Beautiful: Nigel Brown and Glassworks at Stephen Zanoski Tracey Island: New Works by Tracey Collins James Norcliffe Rudolf Boelee: Visions of Utopia Riemke Ensing Punctuating the Mind: Annette Isbey in Her Studio Emily Simpson Mute Poetry: The Art of Anna Hollings Warwick Brown Allen Gyde: A Constructivist Sculptor Returns Home Mark Derby The Midden of Memory: A Conversation with Grant Corbishley Karen Stevenson Pacific Art: Moving Beyond the Stereotype William McAloon Stirring the Pot: Recent Paintings by Shane Cotton Damian
Skinner A Dedicated Follower of Fashion: Mason Handprints at the
Hawke's Luke Morgan Auckland's Victorian Fountain Books Brian Stewart Queenin 1965 - 1999 Letters
NUMBER 91 / WINTER 1999 Contents Exhibitions Julainne Sumich Soundculture '99: Footnotes in Folie FX and Eliptical Fields Jonathan Bywater The New Awareness: New Plymouth's Leap of Faith Derek Schulz G4 in Wanganui: Making Connections Gregory
O'Brien Ink-Black, Gold & Grey Matter:, A Sculpture by Ralph Hotere
& Mary Peter Simpson Reverie and Phantasmagoria: Recent Paintings by Seraphine Pick Peter Shand If I were Penelope. . . . Damian Skinner Finding the Family Resemblance: Gordon Tovey and theTovey Generation Katrina Smit Te Tirohanga Hou Julie King Displaying Our Dreams: Te Papa's Dream Collectors Cassandra Fusco Re-Sighting Southland: In Hodges' Wake at Invercargill Nicola
Green Adele Younghusband: A Transitional Modernist
NUMBER 92 / SPRING 1999 Contents Exhibitions Justin Paton Frequent Flyers: Toi Toi Toi in Auckland Miriam Harris Covering the Distance: Johanna Pegler So Far William McAloon Invention Unlimited: With Spirit—Don Driver A Retrospective Rob Garrett Concertina: Contemporary Dance in Dunedin Gregory O'Brien A Ferment of Faces: Colour and Light at the Dowse Art Museum Mark Kirby Towards a New Representation: Steve Lovett's speakingparts Damian Skinner Crucial Issues: Curatorial Survival in New Zealand Peter Stupples Addressing McCahon: A Multitude of Responses Deborah Finlayson Ron Stenberg: Drawing the Line Books Letters
NUMBER 93 / SUMMER 1999 / 2000 Contents Exhibitions Malcolm Burgess Otira: Postcards from the Gorge Ken Cooke The Promoter: Something New, Something Spiky Jonathan Mane-Wheoki States of Flux: The Third Asia-Pacific Triennial ofContemporary Art Peter Shand Issues of Identity: Lopdell Gallery's I Think I Know Who You Are Batch Hales Claudia McKay: Playing with Reality Peter Simpson The Measure of Things: The Photographs of Peter Peryer 1974-99 Susan Ballard Taking Time: Andrea Selwood's '+/-, e' Cassandra Fusco Immaculate Chaos: The Art of Geoff Dixon Elizabeth J. Kerr Momentum: New Work by Elizabeth Rees Linda Gill The Modernist Adventure: Edith Collier and The Women of Her Circle Richard Wolfe Just a Moment: Primitivism through the Lens Books Letters
NUMBER 94 / AUTUMN 2000 Contents Wendy Vaigro Soliton '99 Rob Garrett Otherworlds: Di ffrench 1946-1999 40 David Eggleton Garry Currin: The Painter as Salvage Artist David Lyndon Brown Gavin Chilcott's Wild Swans William McAloon Pick 'n' Mix: Manufacturing Meaning at the Adam Art Gallery David Chin A Conversation with Mervyn Williams Gregory O'Brien Clumps of Landscape and Memory: The Paintings of Euan Macleod Lawrence McDonald Tristes Tropes in Nelson: Fear and Beauty at the Suter Dorothée Pauli The Ecological Continuum: The Career of Bing Dawe Vita Cochran A Self Fashioned: The 1930s Self-Portraits of Rita Angus Douglas Lloyd-Jenkins Weaving Light: Ilse von Randow and Colin McCahon Books
NUMBER 95 / WINTER 2000 Contents Exhibitions Contact: Jim Allen talks to Wystan Curnow & Robert Leonard Ann McEwan Campbell Smith: A Life in Art Alex Witherow The Surrealist Impulse: The Art of Graeme Sydney Riemke Ensing Persistent Pull: The Work of Melissa Anderson Scott Bronwyn Fletcher Richard Killeen: Every Picture Tells a Story Bridie Lonie Genes & Archives: Fiona Clark Mines the Unimaginable Jan White Giuseppe Romeo: Mirroring the Light John Hurrell Andrew Drummond: Artbarns: After Kurt Schwitters Megan Dunn There is no Sheltering Sky: The Landscapes of Ava Seymour Julie King Facing up to Fox: The Colonial Watercolours of William Fox Richard Lummis Embryonic Ultra-Modernism: Walters, Schoon and Turner in the1940s Don Peebles W. A. Sutton (1917-2000) Letters Books
NUMBER 96 / SPRING 2000 Contents Exhibitions Joseph Kosuth in New Zealand Susan Ballard RISK—Transformative Practices: The Element of Chance Brett M. Levine Variety of the Spice of Life: The Biennale of Sydney 2000 Virginia Were Elsewhere: Recent Photographs by Neil Pardington Maari McCluskey Wet Me, Wash Me, Cleanse Me: Recent Paintings by Peter Cleverley Alexa Johnston Warren Viscoe: A World of Wonderment Peter Simpson The Landmass in Your Head: Nancy de Freitas' Parallel Histories Claire Regnault Amor Spiritualis/Amor Carnalis: New Work by Graeme Cornwell Janet Bayly A View from the Inside: The Photographs of Catherine Russ Richard Wolfe Working Out: Recent Painting by Don Binney Jonathan Mane-Wheoki Arnold Manaaki Wilson: The Godfather of Contemporary Maori Art Jill Trevelyan Great Expectations: The Promised Land at the Suter Damian Skinner Making Modernism: Helen Stewart and the Wellington Art Scene 1946-1960 Books
NUMBER 97 / SUMMER 2000 / 2001 Contents Exhibitions Richard McWhannell Allen Maddox 1948-2000 Peter Simpson Parihaka: A Very Real Symbol Riemke Ensing Path to Shine: Poems on Stone in Katikati Christine Whybrew Creative Waste: Introducing the NCC Art Awards Leoni Schmidt Landworks: The Photographic Art of Di Halstead
Marie Geissler Journeyings: Recent Work by Jill Carter-Hansen Richard Wolfe Interflora: Karl Maughan Paints in the Face of Nature Christina Barton Hammond's Place Andrew Paul Wood Strike a Pose: Margaret Dawson's Men from Uncle Anthony Byrt The Fragmentation of Desire: Sensuality and Painting David Eggleton Spirit in the Sky: The Fluent Sculptural Practice of Neil Dawson Suzie Campbell Beyond the Known World: The Paintings of Peter James Smith Tony Mackle A Sense of Proportion: The Art of Melvin Day Jacqueline Clarke The Small and Uncanny: Susan Jowsey After Visa Gold Ngarino Ellis Restoring Spirits:The Auckland Museum's Maori Collection Books
NUMBER 98 / AUTUMN 2001 Contents Richard Wolfe Painting North/Pointing South: Peter Siddell's Perspective on the Alps Jonathon Mane-Wheoki The Black Light Paradox: The Sumptuous Austerity of Ralph Hotere's Art David Eggleton Alphabet of a Southern Alchemist: Sculptor Stephen Mulqueen Sonja van Kerkhoff Keeping the Faith: Who Am I? in Wanganui Sarah Gibson Nostalgia as Cure: Auckland Through the Lens of Ann Shelton Bridie Lonie Holding Patterns: Recent Works by Liz Coats Dorothee Pauli Traditions of the New: Art and Industry 2000 Damian Skinner Viva Roto-Vegas! Ans Westra and Mark Adams in Rotorua Peter Shand Mudpool Modernism: Artistic Adventures in Wonderland Mark Derby Gone Bush: Photographer Max Coolahan Anne Maxwell In the Shadow of Imperialism: Photography and the Colonised Body in Australia and New Zealand Books
NUMBER 99 / WINTER 2001 Contents Exhibitions David Eggleton John Pule and the Psychic Territory of Polynesia Richard Lummis Big Time: Major Works by Scott Eady Leonard Bell Narratives of Hope and Loss: The Photgraphs of Marti Friedlander Anthony Byrt Gone West: Jean Beaudrillard in Auckland Gerald Barnett Recording Ourselves: Looking Back: NewZealand Photography 1950-2000 Elizabeth Rankin A Word in Your Eye: Text and Images in Barry Cleavin's Inkjet Prints Robin Woodward Art Outdoors: Three New Zealand Sculpture Parks Robin Neate At Arm's Length: The Paintings & Drawings of Martin Whitworth Norman Bilborough From Diary to Easel: Bob Kerr's Field Evidence Noel Waite Face to Face with Rita Angus Roger Collins The Summer of 1910: Hodgkins, Merton & Concarneau Books Letters
NUMBER 100 / SPRING 2001 Contents Exhibitions Justin Paton Dear Editor Gregory O'Brien Wild and Cultivated Iron: Recent Sculpture by Jeff Thomson Damian Skinner The Eye of an Outsider: A Conversation with Ans Westra Wystan Curnow Bright Paradise: Exotic Histories, Sublime Artifice Peter Ireland Icon Restaurant: Views of a Mountain at Govett-Brewster Deborah Cain Private and Confidential: Tom Kreisler in Hamilton Stephanie Lambert Migrations, Meetings and Meanings: The Art of Kelly Thompson Michael Dunn Modernism at the Medical School: Colin McCahon's Numerals Peter Simpson McCahon in 1947-48: A New Date, A 'Lost' Exhibition & Some Letters Jonathon Mane-Wheoki He Kahui Whetu Hou: Contemporary Maori Artists: A New Constellation Richard Wolfe Infinite Possibilities: The Evolving Imagery of Paul Hartigan Leonard Bell Colonial Conundrums: Trompe l'oeil Drawings in Nineteenth and Early Twentieth-Century New Zealand and Australia Michelle Osborne te tuhi the mark: New Life for Pakuranga's Fisher Gallery Megan Lyon Modernism Meets Hamilton: A Waikato Art Controversy Letters Books |