CONTENTS ISSUES 61 - 80
NUMBER 61 / SUMMER 1991-92
Contents
Exhibitions
John Daly Peoples, Auckland; Sara L. Knox, Wellington
Pat Unger, Christchurch; Louise Wilton, Dunedin
Lawrence McDonald Art & Heritage: Inheritance at the Wellington City Art Gallery
Jane Griffin Gilding the Lily: Glass Art by Peter Raos
Jonathan Mane-Wheoki Simon Ogden: The Choreography of Abstraction
Giovanni Intra A Distinction of Blurrings: Ten Years of Flying Nun Art
Elizabeth Smither Paintings & Places: Signatures of Place at the Govett-Brewster
John Freeman-Moir Marvels and Monstrosities: The Fabulous Races of Bing Dawe
Stuart McKenzie & Robert Leonard Something from Nothingness Comes: Recent Photographs by Marie Shannon
Barbara Blake Three Empty Paintings by Jutta Chisholm
Jill Trevelyan T. A. McCormack: The Late Work
Francis Pound Louise Henderson: The Cubist Years 1946-58
Richard Wolfe Souvenirs of Maoriland: The Art of the Early Tourist Trade
Mark Stocker Francis John Williamson (1833-1920): The New Zealand Sculptures
Books
NUMBER 62 / AUTUMN 1992
Contents
David Eggleton Siegfried Köglmeier: German Sculptor
Walter Cook Monuments to Paradise: The Art of Dawne Pearce
Pat Unger Barry Cleavin
William McAloon Richard Reddaway: Stepping Out - A Body of Bodies
Francis Pound Money- The Skeleton in the Cupboard of Art: A Commentary on Billy Apple's As Good as Gold
Campbell Grant Banbury Doris Lusk: The Arcade Awnings
Jane Griffin New Castings: Medal Art in Aotearoa
Michael Dunn As Far as the Eye can See: Panoramas of Auckland 1841-1991
Mahendra Daji Towards an Exit: Siting History at Artspace
G. Elliot Reid Untitled: The Mrkusich House 1951-52
Stuart A. McKenzie Cross Purposes: Three Recent Sculptures by Bamard McIntyre
Books
NUMBER 63 / WINTER 1992
Contents
Exhibitions
John Daly Peoples, Auckland;
Pat Unger, Christchurch; Louise Wilton, Dunedin
Kate Darrow No 8: Ralph Hotere at RKS Art
Mark Derby Fleeting Moments: Andy Goldsworthy at Karekare
Mark Burry Town Towers & Town Bridges: Brodsky & Utkin in Wellington
Allan Smith Geoff Thornley: The Depth of Things Rises to the Light
Rob Garrett Exceeding the Bounds: Di Ffrench's Hunter Warrior Series
Peter Gilderdale Nancy de Freitas
Penny Orme Three Christchurch Artists
William McAloon & Lara Strongman Labouring the Point: Sculpture by Anton Parsons
Ross Cunningham Mary-Louise Brown: Some Watched Inscriptions
Michael Dunn Gordon Walters: Remaking the Modern
Riemke Ensing Who's Afraid of Red Yellow Blue: The Career of Jean Horsley
Roger Blackley Pacific Parallels: New Zealand Landscape Art in the United States
Hone Tuwhare Chris Booth in Trieste
Anne-Marie Davison In the Presence of Angels: Anne Noble's Photographs of the Contemplative Life
Books
NUMBER 64 / SPRING 1992
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Pat Unger, Christchurch; Louise Wilton, Dunedin
Priscilla Pitts ARX-3: New Zealanders in Perth
David Eggleton The Bones beneath the Skin: The Sculpture of Gregory Downie
Michael Dunn Headlands: Refiguring New Zealand Art
Joanna Mendelssohn Headlands: The Sydney View
Ewen McDonald Headlands: Pacifically Speaking
Gloria Zelenka Headlands: Utopia-A Discreet Investigation
Gerald Bamett On Painting: A Conversation with Tosswill Woollaston
Anne Kirker Gretchen Albrecht: A Study in Abstraction
Stephen Easton Pages from a Diary: Recent Paintings by John Tarlton
Alistair Galbraith Patricia France
Julainne Sumich A Chance Encounter: Colin McCahon & Anselm Kiefer in Sydney
Allan Smith Romanticist and Symbolist Tendencies in Recent New Zealand Photography
Jane Griffin Southern Presence: Meetings with Five Pacific Artists
Avenal McKinnon Four Paintings by Cedric Savage in the Brierley Collection
Douglas Lloyd-Jenkins Grant Campbell Chester: The Furniture of the New Outlook
Books
NUMBER 65 / SUMMER 1992
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Pat Unger, Christchurch; Louise Wilton, Dunedin
Conal McCarthy Headlands Assessed
Damian Skinner A Question of Control: Three Young Sculptors
John Scott Crossings: The Journey of an Indigenous Man
Stuart A. McKenzie Jim Barr & Mary Barr: We're changing more than our name
Richard Dale The Innocent Domain: The Paintings of Yvonne Coleman
Linda Tyler Playing with Display: Jenny Dolezel' s Art of Spectacle
Peter Turner Paradox, Photography & Peter Black
Norman Bilbrough The Wild Photographs of Mary MacPherson
Christina Barton David Tremlett at Artspace: A Model for Cultural Exchange
C. Brian Smith John Johns Photographer
Douglas Lloyd-Jenkins & G. Elliot Reid Artiture 1992
Keith Hill InterDigitate
Julie Roberts The Role of the Art Museum: The Auckland City Art Gallery
Books
NUMBER 66 / AUTUMN 1993
Contents
Allan Smith The Surfaces of Style
Richard Dale Abstraction Re-sited
Julie Roberts The Carnivalesque Body
Giovanni Intra Artists against AIDS
Mark Cross Liku and the New Hiapo of John Pule
Michael Dunn Auckland's 1950s Show: Painting & Sculpture
Bruce Petry Auckland's 1950s Show: Architecture & Design
Mark Derby Auckland's 1950s Show: Photography
Ross Fraser Looking Back: Memories of Painting in Auckland through the 1950s
Denis O'Connor A Coat of Dust: Notes of a Sculptor
John Daly Peoples Working with Prints: A Recent Conversation with Rodney Fumpston
Lisa Beaven Neil Frazer: Recent Paintings
D.H.Binney Trust Myself Not to Go Wrong: Dick Frizzell's Tiki Show
Stephen Zepke Views from the Inside: The Art of Ruth Watson
Oliver Stead Graphic Gifts: The Rex Nan Kivell Gift Collections
J.M.Thomson Eileen Mayo: Painter/Designer
Jane Vial The Case of the Mistaken Hermit: Petrus Van der Velden and Photography
Linda Tyler Lloyd Godman: Codes of Survival
Greer Twiss Paul Beadle (1917-1993)
Books
NUMBER 67 / WINTER 1993
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Pat Unger, Christchurch; Bridie Lonie, Dunedin
Gregory O'Brien Astonish Me: Edward Lucie-Smith in Wellington
Ross Cunningham Gaining Interest: Auditor's Report
Justin Paton Improbable Provinces: Prospect Canterbury '92
Gregory Burke The Boundary Rider: The 9th Biennale of Sydney
Pamela Gerrish Nunn & Marian Evans In and Out of the
Closet: Lesbian and Gay Art
in Dunedin
Rob Taylor Tiki: The Return of Dennis Knight Turner
John Daly Peoples John Barnett & Lesley Kaiser: Is It Necessary to Draw the Line
Tony Martin John Bevan Ford: Te Hono ki Zeelandia Nova
Riemke Ensing Nigel Brown: Living in Aotearoa
Diana Renker Reflections: Recent Paintings by Max Gimblett
Peter Simpson J.S.Parker: Plain Song Journey Through
Ted Bracey Tim Croucher: Public Art and Private Art with a Public Face
Jill Trevelyan Leonard Mitchell: A Cautionary Tale
Leonard Bell John Logan Campbell (1817-1912): A Career in Images
Mark Stocker Glenn Busch: Photographer and Writer
Adam Gifford & Paul
Simei-Barton Scarred Landscapes: South Island Photographs
by Mark Adams
Books
Letters
NUMBER 68 / SPRING 1993
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Michael Dunn Eric Lee-Johnson (1908-1993)
Sophie Jerram New Strategies in the Art Market
Christina Barton Ten Years On: Reviewing the Terrain for Women in Art in New Zealand
Julie King Implantations: An Installation by Denise Copland
D.H.Binney Agnes Wood: Mostly People
Ngapine Tamihana Te Ao Pu Manawa: The Heart on the Margins
Marian Evans The Spirit of Blueskin Bay: Lesbian Artists at Okahau
Linda Tyler Glenys Brookbanks: An Economy of Means
Ewen McDonald Process, Procession, Possession: Christine Webster's Black Carnival
Kate Darrow Paint for Your Life: A Conversation with Philippa Blair
Wendy Vaigro Corporeal Mapping: Three Works by Carole Shepheard
Clare Regnault In the Face of Adversity: Lithographs by Jule Einhorn
Ngahuia Te Awekotuku He Take Ano: Another Take-Conversations with Lisa Reihana
Damian Skinner Kathryn Madill & Vivian Ward: Adult Fairy Tales and the Urban Adventure
Ngahuia Te Awekotuku Kura Te Waru Rewiri
Don Bassett Joan Smith: Painter & Designer
Gordon Maitland Amy Harper & Her Studios
Ann Calhoun Chrystabel & Florence: A Sculptor & a Design Teacher
Linda Gill The Letters of Frances Hodgkins
Kate Woodall The Importance of Christchurch in the Women's Art Movement in New Zealand
Books
NUMBER 69 / SUMMER 1993-94
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Michael Dunn National Identities: The First Asia-Pacific Triennial of Contemporary Art
Ngapine Allen A New Context: Contemporary Maori Art at Waitangi
Alice Refiti Shopland Framing the Six O 'Clock News: Kon Dimopoulos jn Auckland
Jim Barr & Mary Barr Get Real: Recent Paintings by Michael Smither
Cilla McQueen Notes on the Work of Marilynn Webb
Linda Tyler Painterly Empathy in the Recent Work of Wallace Crossman
Sheenagh Gleeson Lives of Commitment: Daughters of the Land Nga Uri Wahine A Hineahuone
Julie Roberts Redress & Re-address: Two Events for Suffrage Year
Claire Regnault & Kate Woodall The Canterbury Contribution: Celebrations for Suffrage Year
D.H.Binney The Male Nude: Four Recent Representations
Anna Crichton The Portraits of Alan Pearson
Jacqueline Clarke Esther Morgan Leigh
Terry Ingram The Passion of a Lifetime: Dr Neville Hogg's Collection Falls Under the Hammer
Richard Wolfe Primitive Perceptions: Changing Attitudes towards Pacific Art
Books
NUMBER 70 / AUTUMN 1994
Contents
Richard Dale New Zealand Sounds in Japan: Soundculture '93
John Hurrell You say 'Public', I say 'Private'; You say 'Unity', I say 'Enmity': A Look at Public Practices
William McAloon Kia Ora Tolls Here: Elam Sculpture in the Telephone Exchange
Jane Sayle Theoretically Speaking: Alter/Image in Suffrage Year
Douglas Lloyd-Jenkins A Meeting-Point: The Fisher Gallery's Dinner Service Show
Greg O'Brien Booked and Bound to It: Opening up the Book at the Manawatu Art Gallery
Robyn Ussher Alison Ryde
Jane Sayle First Light: The Paintings of Gerda Leenards
Tim Walker Everything is Connected: The Art of Michel Tuffery
Ian Fraser Venus Considered: Recent Paintings by Anne Munz
Barbara Blake Giovanni Intra: Germ-Free Adolescence
Jane Griffin Torsos and Gateways: The Sculpture of Jan White
Alan Rogers-Smith The Fire: Patrick Hanly in England
Stephen Zepke Necessary Completion: New Work by Gail Haffern
Penelope Jackson Ivy M. Copeland (1888-1961)
Kirsten Fergusson Grace Joel (1865-1924): A Reassessment
Susan Brooker Art and Communication: Lincoln University Collection
Francis Pound Scholarship Celebrated: A Tribute to E.H. McCormick
Paul Rayner Summer & Beyond: The Wanganui Polytechnic Summer School
Books
NUMBER 71 / WINTER 1994
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Leonard Bell Under Capricorn: Some Partial Observations
Allan Smith Damaged Life: Three Artists in the Wake of Camngton
Peter Beatson Groping the Silence: Anton Parson's Guide
Barbara Blake Image Sampler: Recent Photographic Works by Gavin Hipkins
Justin Paton The Veteran: Don Peebles
Tony Martin Concept & Process: The Restless Art of Sue Cooke
Riemke Ensing Clive Humphreys
Jillian Lloyd Where Queer Angels Dare to Tread: Lauren Lysaght's Hidden agender
Hone Tuwhare The Paintings of Shirley Grace: A Personal Appreciation
Matthew Hyland Transgression is the Law: 150 Ways of Loving
Ted Bracey As it Seams: The Domestic Transformations of Pip Culbert
Pat Unger Mark Lander
Linda Tyler Nicola Jackson: A Body of Work
Julie King Painting Otira: Petrus Van der Velden and the Colonial Context
Books
Letters
NUMBER 72 / SPRING 1994
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Elizabeth Grierson Louise Henderson (1902-1994)
Anna Miles Soundwatch '94
Jonathan Bywater Getting the Attention: Tales Untold in Christchurch
Mark A. Southcombe Roger Peters: The Wrestlers' Ball 1
Joanna Paul Roger Peters: The Wrestlers' Ball 2
Richard Wolfe Heightening the Allusion: Recent Paintings by Paul Jackson
Stephen Zepke Enmeshed: Recent Work by Christopher Braddock
Allan Smith Michael Parekowhai: Kiss the Baby Goodbye
Jim Barr & Mary Barr Time Caught into Memory: The Vision of Gordon Crook
Kate Darrow Sylvia Siddell: The Slaughter of the Innocents
Cassandra M. Fusco Making Relations: Translations of Form and Forces by Graham Bennett
Tony Martin Albert McCarthy: Rock me baby, this ain't no chocolate box affair
A.J. Wright R.N. Field and the Public: The Theoretical Basis of Early New Zealand Modernism
Claire J. Regnault Witchery, History & Umberto Eco: The Art of Bronwyn Taylor
Paul Rayner A Conversation with Bill Milbank
Roger Neich Jacob William Heberley: Maori Carver to the Establishment
Books
Letters
NUMBER 73 / SUMMER 1994-95
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Cassandra Fusco Stimulus to Style at the CSA
Jill Smith Art for the Young: Muka Studio' s Youth Prints
Anne Philbin Laurence Berry
Pat Unger The Theatre of Disintegration: The Paintings of Elizabeth Rees
David Eggleton The Barbed Wire Pastoral of Michael Morley
Jane Zusters Allie Eagle: Artist
Jonathan Bywater Karaoke Wagner: Margaret Dawson's Under the Hill
Jane Sayle Art Now at the Museum of New Zealand Te Papa, Tongarewa
D. H. Binney 'Where the Bee Sucks '
Julkie King By the, Waters of Babylon: The Art of A. Lois White
Richard Wolfe Shading from the Round: The Sketchbooks of Kennett Watkins
Jacquie Clarke A Single Startling Idea: Recent New Zealand Short Films
Books
NUMBER 74 / AUTUMN 1995
Contents
Allan Smith What Shall We Do With Our Walls? The Fisher Gallery's Wallpaper Show
Nicholas Thomas Pacific Dualities: Bottled Ocean in Wellington and Auckland
Warwick McLeod Black and White: Dealing with Differences
Janet Wilson We're Still Here: A Celebration of Achievement
Paul Rayner Station to Station: Recent Paintings by Gary Freemantle
Linda Tyler Printed Panoramas: The Expansive Vision of Cathryn Shine
Blair French Networking: Patrick Pound's Support Group in Hamilton
Aleyn Giles Peterson Myth, Magic and Mystery: Recent Work by Claudia Pond Eyley
Michael Dunn Robert Ellis: Farewell to Elam
Alison Pearson Michael Armstrong: Observations and Dichotomies
John Daly Peoples Nature Culture: Recent Work by John Nicol
Maria Jane Orchard The Ambiguous Image of the Moon: The Collages of Frances Jill Studd
Gregory O'Brien Recognition: A Conversation with William I. Reed
Roger Blackley The Wandering Artist: Augustus Earle in New Zealand
Peter Ireland The Artifice of Realism: The Studio Portraits of William Crawford 1911-1913
Books
NUMBER 75 / WINTER 1995
Contents
Paul Judge Feeling Foxed: Art for the Environment in Waitakere City
Talking photographs: John McDermott & Ron Brownson
Christina Barton Uncanny Spaces: Recent Paintings by Caroline Williams
Jonathan Mane-Wheoki Robyn Kahukiwa: My Ancestors Are With Me Always
Jonathan Bywater Elvis and Other Evils: The Art of Tony de Lautour
Elizabeth Smither Mary Donald: Biodegradable Garden Weaving
Elizabeth Grierson Helen Pollock: Ceramic Sculptor
Anna Sanderson Maureen Lander: The Drawing in of Breath
Claire J. Regnault Deforming Attitudes: The Art of Grant Takle
Tim Renner Plug-in Ecstasy: Recent Work by James Charlton
Ruth Watson Evidence: Ways of Looking at the Art of Jude Rae
Oliver Stead Grunge Art in Dud: Tim Barlow I Donna Demente & Martin Sullivan
Deborah Cain The Last Picture Show at the Centre for Contemporary Art
Tony Mackle George Woods (1898-1963)
Linda Gill E.H. McCormick (1906-1995): A Personal Memoir
Books
NUMBER 76 / SPRING 1995
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Peter Shand Shruti Yatri: Spirituality and Hybridity
Kevin Ireland Liberal Persuasion: Elusiveness, Mystery & the Subversion of the Fashionable
Wendy Vaigro High Performance Optics: INTERDIGITATE 95
D.H. Binney Robyn Hughes: A City on a Hill
James Ritchie Through the Eye of a Needle: Recent Work by Brett Graham
Tim Renner War of Dreams: Peter Gibson Smith: Aesthetic Engines
Damian Skinner The Environment & the Crisis of Nationalist Discourse
Richard Wolfe From the Mantelpiece to the Museum: John Perry & Joe Public
Justin Paton Closing Focus: Ten Takes on Mark Braunias
Joanne Drayton Edith Collier: A Personal Journey Towards Modernism
Jane Vial Tom Roberts and the New Zealand Avant-Garde
Books
NUMBER 77 / SUMMER 1995-96
Contents
Exhibitions
John Daly Peoples, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Bridie Lonie, Dunedin
Gregory O'Brien The Living Spaces-Ridden Lives: A Photographic Installation by Anne Noble
Luit Bieringa Let's Do Something: The Currency of Contemporary New Zealand Photography
Talking Photographs: Ann Shelton & Ron Brownson
Jacquie Clarke A Thin Disguise: The Art of Viky Garden
James Mack Reverie and Reverence: The Paintings of Gary Waldrom
Elizabeth Knox Théâtre de Poche: Catherine Bagnall & Julian Bishop
Richard Dale Insider/Outsider: A Report from the Govett-Brewster Art Gallery
Peter Shand Time spent in four chambers: A Very Peculiar Practice
Avenal McKinnon Janet Paul: Art as a Journey
Warren Feeney Peter McIntyre's War Art: Fine Art Tradition & Popular Culture
Paul Judge Rivers Beneath Rivers: The Sculpture of Virginia King
Paula Green Walking in the World: Michael Right's Trust in Place
Leonard Bell Shipwreck & Survival at Auckland's Robson Wharf: the New Zealand National Maritime Museum's Art Collection
Books
NUMBER 78 / AUTUMN 1996
Contents
Justin Paton Mapplethorpe, Again
Nora West Art & the Bomb: Resisting the French Presencem the South Pacific
Jonathan Mane-Wheoki Korurangi/Toihoukura: Brown Art in White Spaces
Karyn Clare Peter Roche ' s Tribal Fictions
Roger Taylor Will the Real Jeffery Harris Please Stand Up?
Nigel Clark Towards the Feral: John Lyall at Karekare
Mette Hansen John Madden
Evan Webb Wind Wand: The Magic of Len Lye & The Toronto Affair
Stephen Zepke Connecting Issues: Bodies in Question
Kyla McFarlane Listen to This: An Appraisal of The Fourth Window
Gavin Hipkins Haruhiko Sameshima's Eco-Tourism: Pictorial Tripper in the New Zealand Garden
Vickie Hearnshaw & Julie King Ngaio Marsh Painting
Bridie Lonie Shifting Signifiers: Fluidity & the Female Body in the Work of Frances Hodgkins
Robin Woodward Auckland 1971: The International Sculpture Symposium
Michael Dunn Gordon Waiters (1919-1995)
Books
NUMBER 79 / WINTER 1996
Contents
Exhibitions
Damian Skinner, Auckland; Jane Sayle, Wellington
Justin Paton, Christchurch; Rob Garrett, Dunedin
Ross Fraser (1935-1996): Founding Editor, Art New Zealand
Peter Beatson Angels with Goggles: Phill Rooke, Artist in Community
Elizabeth Caldwell What Now? Art for an Accelerated Culture
Joanne Drayton Linda James: Disegno Interno & the Female Nude
Christina Barton Vivian Lynn's Semi(r)otics
Riemke Ensing All things flow. . . Recent Work by Marte Szirmay
Donald Bassett Margins: New Paintings by Peter Wichman
Peter Hughes A Creative Partnership: Blackwood and Janet Paul, 1945-68
Jonathan Mane-Wheoki Cultural Safety: Contemporary New Zealand Art in Germany
Jane Zusters On the Edge: The Controversial Career of Gerry Nigro
Ngahuia re Awekotuku Forgiving, But Never Forgetting: Shared Visions at the Auckland City Art Gallery
Books
NUMBER 80 / SPRING 1996
Contents
Exhibitions
Damian Skinner, Auckland;
Britt Romstad, Christchurch; Rob Garrett, Dunedin
Justin Paton Low Job: Nine Noters on the Subcultural Swoon
Riemke Ensing On the Way: Postcards across the World
D.H. Binney Healing Imagery: Recent Paintings by Henry Symonds
Gregory O'Brien Free/Standing: Sculptor Paul Dibble in Wellington
Claudia Bell Personal Effects: Clive Stone (Re)collects Himself
Derek Schulz Licensed to Kill: Matt Pine Charts the Death of Our Species
Sarah Pink and Rob Garrett Kim Pieters
Paula Green A Matrix of Movement: The Sculptures of Charlotte Fisher
David Brown Breathing Space: Club 47 Photographed by Fiona Clark
Mei Hurrell Dorothy Kate Richmond 1861-1935
Julie King Landmarks: The Landscape Paintings of Doris Lusk
Grant Banbury The Portraits of Doris Lusk
Richard Wolfe Passing Through: Paul Gauguin Shows Up In Auckland