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CONTENTS ISSUES 21 - 40 

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NUMBER 21  / SPRING 1981

Contents

Editorial

Exhibitions
    Leonard Bell, Auckland;  Anne Kirker, Wellington
    Barry Cleavin, Christchurch;  Peter Leech, Dunedin

Tim Walker  Photography: Peter Hannken

Alistair Paterson  Making Sense of It: The Found and Structural Art of Greer Twiss, Christine Hellyar & Terry Stringer

Gordon H. Brown  Rodney Fumpston in Egypt

Shirin Caldwell  Flax Weavers of the Far North

Two Photographers

  Peter Wells Clive Stone

  Rhondda Bosworth  Robin Morrison

Wystan Curnow  Clare Fergusson

Andrew Bogle  Chance in Art: The Indeterminacy Aesthetic

Rosemary Hockings  Artwork

Leonard Bell  A Letter from Von Tempsky 

The Auckland City Art Gallery Newsletter

Books

   Sage Tea: An Autobiography by Toss Woollaston reviewed by Peter Wells

   The Art Of The Great Hollywood Portrait Photographers 1925 to 1940 by John Kobal reviewed by William Dart

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NUMBER 22  / SUMMER 1981-82

Contents

Editorial

Exhibitions
    Gordon H. Brown, Auckland;  Leonard Bell, Auckland
    Andrew Martin, Wellington;  Michael Thomas, Christchurch;      Peter Leech, Dunedin

Francis Pound  The New Image Painters

Melvin N. Day  The Rotorua Connection: John Weeks & Wilfred Stanley Wallis

John Weeks: Career and Credo

E. H. McCormick  Frances Hunt 1890-1981 A Personal Note

Ann Kirker  Mary Chamot & The First Fifty Years, an Interview

Rosemary Hemmings  Fingers: The Apotheosis of the Paua

Wystan Curnow  Billy Apple. Points of View: RKS Art

Andrew Bogle  Chance in Art 2

The Auckland City Art Gallery Newsletter

William Dart  Darien Takle's Portrait of Frances Hodgkins

Books

   New Zealand Painting 1940-1960 by Gordon H. Brown reviewed by William Dart
   Nicholas Chevalier: Artist by Melvin N. Day reviewed by Duncan Cameron
   Photoforum : Number 48 reviewed by Bruce Weatherall

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NUMBER 23 / AUTUMN 1982

Contents

Editorial

Suzi Gablik  New Zealand Report

Rose Duncan  Michael Glock: Survival Furniture

Bruce Birdling  Robert Jesson

Ann Calhoun  Two Wellington Entrepreneurs of the 'Thirties: The Murray Fullers I Edwin Murray Fuller

Leonard Bell  Stephen Bambury's Colour Paintings

Peter Wells Four Recent Small Films

Michael Dunn The Kinder House

Robert Goodman  The Renovation of The Customhouse

Frances Pound  Spectator Figures in Some New Zealand Paintings and Prints

Books

   Rebels And Precursors: The Revolutionary Years of Australian Art by Richard Haese reviewed by Ross Duncan

   Art Galleries & Museums In New Zealand by Keith W. Thomson reviewed by Brenda Gamble

Tailpiece

   Plea to an Artist not Quite Dead by Frank Rogers

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NUMBER 24  / WINTER 1982

Contents

Editorial

Exhibitions
    Gordon Brown, Auckland;  Rosemary Hemmings Auckland; Ray Thorburn, Wellington;
    Michael Thomas, Christchurch;  Peter Leech, Dunedin

Sheridan Keith  John Eaden

Anne Kirker  John Drawbridge: From Print To Construction

Ann Calhoun  Two Wellington Entrepreneurs of the 'Thirties: The Murray Fullers: II Mary Murray Fuller

The Fourth Biennale of Sydney, commentary by Roger Blackley, Peter Wells & Denys Watkins  

New Zealand Cinema:

Rosemary Hemmings   Strata: A Film by Geoff Steven and John Maynard

William Dart  Kiwi Rural Gothic: An Interview with Sam Pillsbury

Roger Horrocks  Twenty Years of Experimental Films

Alexa Johnston  Alexis Hunter

John Parker  The Fletcher Brownbuilt Pottery Award: Ten Years in Retrospect

R. P. Hargreaves  The First New Zealand Lithographs

Books

   English Art & Modernism 1900-1939 by Charles Harrison reviewed by Gordon H Brown

   Rosa Bonheur: A life and a Legend by Dore Ashton reviewed by Michael Dunn

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NUMBER 25  / SPRING 1982

Contents

Exhibitions
    Gordon Brown, Auckland;  Andrew Martin Auckland
    Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Peter Leech, Dunedin

Roger Blackley  The Continuing Demolition of Auckland

Chris Parr  No More Flags in the Valley: Dean Buchanan

Michael Dunn  The Art of Theo Schoon

Peter Leech  Elusive Objects: Recent Work by Neil Dawson

Anne Kirker  Chris Booth at The Dowse

Seven Artists Contribute to The Auckland School of Architecture

Sheridan Keith  The New Zealand Landscape Show 1982

Cushla Grace  The Theatre of Extremes: An Evening with Wanda's Gander

Francis Pound  The Real and The Unreal in New Zealand Painting

Bernard Brown  Cedric Morris at Benton End: A Footnote to Frances Hodgkins

Books

     Viva Picasso:A Centennial Celebration by David Douglas Duncan reviewed by Peter Wells

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NUMBER 26 / AUTUMN 1983

Contents

Editorial

Cheryll Sotheran  Replacing Women in Art History

Elizabeth Eastmond  Carole Shepheard in Full Flight

Grace Adams  Afternoon Tea With Olivia Spencer Bower

Priscilla Pitts  Evelyn Page: Reflecting the Human Presence

Janet Paul  What Makes Rita Angus Different?

Robin Woodward  The Sculpture of Molly Macalister

Ann Elias  The Landscape Paintings of Rata Lovell Smith

Priscilla Pitts  Gretchen Albrecht: The Early Years

Bruce Birdling  Emily Pace

Anne Kirker  Vivian Lynn

Chris Parr  Acts of Inclusion: The Spirit of Philippa Blair's Painting

Tony Bellette  Joanna Paul: Words and Pictures

Michael Dunn   The University of Auckland Art Collection

Andrew Martin  Visualising a New Theatre

Elizabeth Eastmond  Maria Olsen at R K S

Barbara Strathdee  Women Artists at the F 1 Sculpture Project

Letters

Books

     The Dance Photography Of Carl Van Vechten by Paul Padgette reviewed by William Dart

    Rita Angus: Essays by various authors reviewed by Ross Fraser

   Up-&-Coming Art Publications Rosemary Hemmings

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NUMBER 27  / WINTER 1983

Contents

Editorial

Exhibitions
    Cheryll Sotheran, Auckland;  Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Joanna Margaret Paul, Dunedin

E. H. McCormick  Woman and Child: A note on a Motif in the Paintings of Frances Hodgkins

Anthony Mackie  Ian Hunter's Hot Spots

Diana Bagnall  Alternative Projections: The High-voltage Assemblages of Diana Lee-Gobbitt

Sheridan Keith  Anne Noble's Wanganui

Rosemary Hemmings  New Facilities for Print-makers: The Atelier; Portfolio Gallery

Barbara Strathdee  Debra Bustin

Michael Dunn  Rudolf Gopas: A Teacher and Painter in Retrospect

Anne Kirker  T. A. McCormack: A New Talent to Emerge in the Nineteen-Thirties

Campbell Smith  The Prospect Collection

Leonard Bell  Putting the Record Straight: Gordon Walters 1944-1982

Roger Blackley  J. Guise Mitford: A topographical painter of the Nineteen-Forties

Rodney Wilson  The Reconstruction of the Auckland City Art Gallery

Books
   Lucian Freud
Text by Lawrence Gowing, reviewed by Ronald Brownson
   Bill Brandt Portraits, reviewed by Ronald Brownson
   A World History Of Art
by Hugh Honour & John Fleming, reviewed by Andrew Martin

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NUMBER 28  / WINTER 1983

Contents

Exhibitions
    Gordon H. Brown, Auckland;  Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Peter Leech, Dunedin

W. de Montalk  John Weeks in Dunedin

Sheridan Keith  A Conversation with Don Binney 

John Hurrell  The New Zealand Presence in Tasmania

Francis Pound  A Battle of the Critics

Warwick Brown  Nigel Brown: Gains & Losses

Wystan Curnow  Seven Painters/The Eighties: The Politics of Abstraction

Ian McMillan  Artwork: An Experiment in Art for the Community

Chris Parr  The Grid: Lattice & Network

Peter Shaw  May Smith: Representation & the Freedom of the Imagination

Anne Kirker  Patrick Hayman and his Links with New Zealand

Brett Riley  The Brooke/Gifford Gallery

Books

   Frames On The Land by Francis Pound Reviewed by HAMISH KEITH

    Eugene Von Guerard by Candice Bruce et al. Reviewed by MICHAEL DUNN

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NUMBER 29  / SUMMER 1983-84

Contents

Exhibitions
    Cheryll Sotheran, Auckland;  Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Peter Leech, Dunedin

P. L. Kitchin  The Janne Land Gallery 

Ronald Brownson  Peter Hannken: Construction with all Tenses

Janet Paul  Ralph Hotere's 'Baby Iron' 

Gordon H. Brown  Pauline Thompson: Extending the Limits of the Visible 

Ann Elias  A Report on Paul Hartigan in 1983

Ross Fraser  A Conversation with Helen Hitchings

Peter Shaw  The Small Bronzes of Paul Beadle

Sheridan Keith  Christine Webster's Large Colour Photographs 

Jeff Thomson: The Farm meets the Gallery 

Una Platts  James Crowe Richmond: 1822-1898

Vincent O'Sullivan  The Pastel Drawings of Caroline Williams

J. N. Mané  Lost and Found: The Architecture of WB. Armson 

Bridie Lonie  Adrienne Martyn's Portrait Photographs

Books

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NUMBER 30 / AUTUMN 1984

Contents

Editorial

Malcolm Ross  Chris Booth's Nga Tamariki a Tane

Elizabeth Eastmond  Bronwynne Cornish's Dedicated to the Kindness of Mothers

J.P. Webster  Hilda Wiseman at Selwyn Studio

Michael Dunn  The Paintings of Glenda Randerson

Ian Wedde  Glenn Jowitt's Drama of Consent

Gordon H. Brown  The Pursuit of Modernism in the 1940s and Early 1950s

Avenal McKinnon  Leo Bensemann

Tony Mitchell  Vincent Ward: The Eloquence of Isolation

Gordon H. Brown  Gillian Chaplin and Barbara Tuck: Prints and an Installation: Photographic Dreams

Alexa M. Johnston  Double Doors

Ross Fraser  Gabrielle Hope 1916-1962 

Leonard Bell  The New Zealand Paintings of Commander R.A Oliver (1811-1889)

R.C.J. Stone  A Victorian Friendship & Auckland's First School of Art

Sheridan Keith  The Whitecliffe Art School

Beverly Simmons  The Team McMillan Ford Art Award

Books
  
The History of the N.Z. Academy of Fine Arts 1882 - 1982 reviewed by MICHAEL DUNN
   Stained Glass Windows in New Zealand Houses and Corrugated Iron in New Zealand
reviewed by PETER SHAW
   Art and Artists of Oceania
reviewed by PAT HOHEPA
   Art: A History of Changing Style
reviewed by ANDREW BOGLE

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NUMBER 31  / WINTER 1984

Contents

Editorial

Exhibitions
    Cheryll Sotheran, Auckland;  Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Peter Leech, Dunedin

Sheridan Keith  Rodney Fumpston's Decade 

Private Symbol: Social Metaphor-The Fifth Biennale of Sydney

Elwyn Lynn  Colin McCahon. The View from across the Tasman

Janet Paul  Exhibitions and Seminars

Claudia Pond Eyley  Robin White in Kiribati 

Peter Ireland  Peter Peryer: The Significance of Repetition

Anne Kirker  A Visit to Max Gimblett

Ray Thorburn  The Stuffed Stuff Show

Alexa M. Johnston  John Holmwood: Thirty Years of his Painting

Julie King  Margaret Stoddart: The Landscapes of a Canterbury Flower Painter

Gordon H. Brown  The Pursuit of Modernism in the 1940s and Early 1950s, part 2

Rosemary Hemmings  The Rotorua Art Gallery and Museum

Tom Weston  Art for Breakfast

Books

    Wahine Toa: Women of Maori Myth
    Collecting Original Prints
    The Critical Historians of Art
    Through Fifty Years: The South Canterbury Art Society

Letters

Publications Received

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NUMBER 32  / SPRING 1984

Contents

Editorial

Exhibitions
    Cheryll Sotheran, Auckland;  Avenal McKinnon, Wellington
    Evan Webb, Christchurch;  Louise Wilton, Dunedin

Louise Wilton  Art in Dunedin

Bridie Lonie  Peter Nicholls

Priscilla Pitts  New Women Artists at the Govett-Brewster 

Ann Calhoun  Aspects of New Zealand Art 1890-1940

Leonard Bell  Anxious Images

Laurence Simmons  Tables/Tableaux: Some Recent Work by Terry Stringer

Ray Thorburn  Full Circle: Paintings by Melvin Day

Michael Dunn  Theo Schoon: Photographs of the Thermal Regions 

Roger Blackley  Lance-Sergeant John Williams: Military Topographer of the Northern War 

Gordon H. Brown  A Gisbome Printmakers Group

Peter Wells  Documentary Cinema in the Making

Books

   Working Men by Glenn Busch 
   Figures of Motion Len Lye Selected Writings
   The Art of Fotis and Lydia Sarris

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NUMBER 33  / SUMMER 1984-85

Contents

Exhibitions
    Cheryll Sotheran, Auckland;  Susan Foster, Wellington
    Evan Webb, Christchurch;  Louise Wilton, Dunedin

Warwick Brown  Ingrid Banwell

J.M. Thomson  Para Matchitt's Design for an Opera

Hirini Moko Mead  Te Maori in New York

Michael Spens  Meaning, Excellence & Purpose: ANZART in Edinburgh 

Alexa M. Johnston  Victoria Edwards: Extending the Limits of the Printmaking Media

Stephen Ellis  Artists in Auckland University's Arts/Commerce Block

Ian Wedde  Robert Franken: The Trader Aesthetic

Michael Dunn  The Other Expatriate

Peter Shaw  Louis Hay: Napier and the Chicago School 

Dugald Page  Brian Gartside: A Continuing Dialogue with Clay

Gwen Stacey  Kiwi Olympians

Books

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NUMBER 34 / AUTUMN 1985

Contents

Virginia Were  John Reynolds/Julian Dashper

Sheridan Keith  The Chelsea Project

Roger Horrocks  Andrew Bogle's Rubbed Works on Paper

Charo Oquet talks to Art New Zealand

Gordon H. Brown  Ralph Hotere

John L. Roberts  Ray Thorburn

Warwick Brown  A Motorway Journey: A Decade of Paintings by Robert Ellis

Cheryll Sotheran  Visual Diaries / Artists' Books

Denis O'Connor  Gulf Icons

Anne Kirker  Rhona Haszard: A Painter of the Twenties

Sue Garcia  Art Patronage in Hamilton

Ian Lochhead  The Photographs of Benjamin Mountfort

William Dart  From Art School to Community: Young Elam Artists at Words and Pictures

Books

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NUMBER 35  / WINTER 1985

Contents

Exhibitions
    Priscilla Pitts, Auckland;  Susan Foster, Wellington
    Jonathon Smart, Christchurch;  Louise Wilton, Dunedin

James Walker  The 1985 Philips Studio Glass Award 

Jenny Harper  Hunt the Moon: John Lethbridge's Installation at the Queensland Art Gallery 

William Dart  Jack Body: The Photographer as Painter

Avenal McKinnon  Heather Busch

Andrew Bogle  Alberto Garcia-Alvarez: Illusionism and Abstraction 

Te Tangi O Te Whenua: Whakairo Maori

Tom Weston  Morgan Jones: The Ascent Beckons

Ann Elias  Paul Radford Now

 Priscilla Pitts  Jan Nigro: A Selective Survey 

The Barry Lett Gallery & RKS Art: Two Decades - A Conversation with Patrick Hanly

R.D.J. Collins  Edmund Norman 1820-1875

Judith A Hoftberg  Living with Len: An Adventure in New Plymouth with Len Lye's Papers

Gwen Stacey  The Panoramic Photographs of Marie Shannon

Books

Letters

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NUMBER 36  / SPRING 1985

Contents

Exhibitions
    Priscilla Pitts, Auckland;  Susan Foster, Wellington
    Jonathon Smart, Christchurch;  Peter Leech, Dunedin

Priscilla Pitts  Anzart 1985

Francis Pound  Robert Jesson

Michael Dunn  Mervyn Williams: A Vision of Light

Sheridan Keith  Denys Watkins

Michael Pearce  Hot 

Ian Wedde  Don Peebles: Between Chance and Intention

C. Barton  Claudia Pond Eyley: A Question of Representation

James McNeish  The Greek Experience: A Conversation with David Kennedy

William Dart  Printmaking 1985

Grahame Sydney  Dunedin's Carnegie Centre

Jack Body  New Zealand Graphic Scores

Peter Shaw  The Good Cottage: J. W Chapman-Taylor's Housebooks

Ann Elias  The Transfield Project

Books

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NUMBER 37  / SUMMER 1985-86

Contents

Exhibitions
    Priscilla Pitts, Auckland;  Susan Foster, Wellington
    Jonathon Smart, Christchurch;  Peter Leech, Dunedin

Tom Weston  Peter Ransom: The Necessary Perspective

Don Binney  Testing Reality: The Paintings of Dick Frizzell

Fiona Ciaràn  The Piper-Reyntiens Window in New Zealand 

Ian Wedde  Like Tears in Rain: Recent Work by Jeffrey Harris 

Jonathan Smart  Bing Dawe: A Decade 

Neil Pardington  Peter Roche / Linda Buis / Gregory Burke

Ian McMillan  The Art of Atiu

Barbi deLange  Flora Scales The Woman and Her Work

Gretchen Albrecht  A Personal Reminiscence

Helen Hitchings  The Rita Angus Cottage

Two Photographers:

Janet Bayly  Richard Wotton

Peter Bland  Miles Hargest

Books

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NUMBER 38 / AUTUMN 1986

Contents

Peter Bland  Survivors: The British Show

G. Stacey  Women View Women: Photographs by Fiona Clarke, Gil Hanly, Ans Westra, Jane Zusters 

D.H. Binney  Tension and Tolerance: Paintings 1983-85 by Ruth Cole

Priscilla Pitts  The Goodman Suter Biennale

Jeanne Macaskill  Te Ao Marama: Seven Maori Artists

Francis Pound  Albrecht's Hemispheres: The Realms of Connotation

Bridie Lonie  Marilynn Webb

Leonard Bell  At Home in this World: The Paintings of Ron Left

Frank Rogers  My Old Cobber Frank: Francis McCracken 1879-1959

Douglas Standring  Windows, Images, Worlds

Kiwiweka Angas  Rotowaro: The Last Days of a Waikato Coal-mining Township

Tony Bellette  Galerie Legard

John Curry  Queer Pictures in the Crypt

William Kelly  Wayne Tindall: Dreamtime and Realtime

Books

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NUMBER 39 / WINTER 1986

Contents

Exhibitions
    Priscilla Pitts, Auckland;  Susan Foster, Wellington
    Jonathon Smart, Christchurch;  Peter Leech, Dunedin

Riemke Ensing  Paintings for Peace

Priscilla Pitts  Marté Szirmay: An Interview

Fiona Ciaràn  Artists in Glass 

Peter Leech  In the Dark: New Paintings by Milan Mrkusich

Ian Wedde  Anne Munz

Evan Webb  Julia Marison: Art as the History of Oneself

Janet Paul  Fergus Collinson

Warwick Brown  George Baloghy's Urban Landscapes

Roger Blackley  George O'Brien: Pavilioned in Splendour

Luit Bieringa  Shed II, The Temporary/Contemporary

Ian J Lochhead  The Arts and Crafts Houses of Basil Hooper

Philip Cowley  Someone's Scheming: Images of a Changing City

Dugald Page  Philip Luxton

Doreen Bridgeman  Huatoki: A New Plymouth Co-operative

Tim Coffey  Ceremony, Astronomy, Perfomance: The Stilt Theatre Group Stalker

Books

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NUMBER 40 / SPRING 1986

Contents

Exhibitions
    Priscilla Pitts, Auckland;  Susan Foster, Wellington
    Jonathon Smart, Christchurch;  Peter Leech, Dunedin

Rangihiroa Panoho  Haongia Te Taonga

C. Barton  Maria Olsen

Stanley Palmer talks to Art New Zealand 

Louise Wilton  Bill Hammond: The Images of Funk

Francis Pound  Killeen's Suburbia

Ian Wedde  Tony Lane: Slipping under the Fence

John Summers  Doris Lusk: An Appreciation

Sarah Rennie  WA Sutton: Portraits of the Canterbury Landscape

Brian Turner  Shaun Burdon on Stewart Island

Tom Weston  The CSA: Cultivation of the Arts

Louise Wilton  'Let's Do the Time-Warp Again': Photographs '86 in Dunedin

Anne Kirker  Peter Tomory's New Zealand Years

William Main  Bill Culbert: Artist with a Camera

Books