CONTENTS ISSUES 101 - current
NUMBER 101 / SUMMER 2001-02 Contents Exhibitions Roger Horrocks In and Out of History: A Century of Len Lye Edward Hanfling All in a Quiver: Ian Scott's Sexy Sprayed Stripes Robin Woodward Temples of Wonder: Peter Wells Returns to Napier Virginia Douglas Art Forum Series 2001: Serving Up Food For Thought Christina Barton New Horizons: New Zealand in Venice David Eggleton When Pop Ironists Come Out to Pray:
Telecom Prospect 2001 Vin Ryan Adrift in Melbourne: The Trans- Tasman Challenge Peter Simpson Leigh Christensen ' s Urban Arteries: Nature and Culture on Collision Course Leonard Bell Irene Koppel: A Forgotten 'New' Photographer in New Zealand Vickie Heamshaw Juliet Peter: Painter, Potter, Printmaker Elizabeth J. Kerr Drawings in Open Space: The Fictive World of Claire Beynon Books Letters
NUMBER 102 / AUTUMN 2002 Contents David Eggleton The Skull Orchard: Paintings by Jeffrey Harris Lisa Beaven Taking Flight: The Airborne and Hybrid Images of Joanna Braithwaite New Sights New Sites: A Review of Art in Te Papa Deidre Brown Affirming a Legacy: Purangiaho Seeing Clearly Lisa Reihana Flipping & Gliding, Grinning & Flying: The Art of John Walsh Bridie Lonie & Susan Ballard Teresa Andrew: On Moving Moyra Elliott Past Experience: Christine Boswijk in Nelson Wendy Grace Dawson Visualising with Mr Bean: The Second Goodman Suter Contemporary Art Project Michael Dunn Theo Schoon: Outsider Artist. Reminiscences of a Friend and Mentor Lawrence McDonald Mondo Illingworth: A Tourist in Paradise Lost: The Art of Michael Illingworth Mark Stocker Maurice Askew: From Coronation Street to Birdlings Flat Peter Simpson McCahon' s A Candle in a Dark Room: A Postscript Books Letters
NUMBER 103 / WINTER 2002 Contents Exhibitions Justin Paton Special Agent: Michael Parekowhai's Generous Duplicity Catherine Lane West-Newman Reading Sylvia Siddell Gregory O'Brien Room, Corridor, Adjoining Room: Anne Noble-States of Grace Richard Wolfe Worlds Apart: Recent Painting by Susan Wilson Suzanne MacAuley Lauren Lysaght, Citizen Artist Mark Stocker A Window into John Drawbridge Jillian Cassidy Imaging the Text: The Word Prints of Eileen Mayo (1906-1994) Letters
NUMBER 104 / SPRING 2002 Contents Exhibitions Damian Skinner 'Things that have a long way to go': A Biography of Kate Coolahan Roger Blackley Every Picture Tells a Story: Victorian Art from Australasian Collections Trish Gribben Identity Thrives at Birds Nest Peter Ireland In the Pursuit of Beauty & Perfection: Photographs by Gordon Burt & Fiona Clark David Eggleton Nationalising Energy: The 2002 Walters Prize Exhibition Riemke Ensing Continuing Lines: Recent Paintings by Pippa Sanderson Richard Wolfe This Way-That Way: Nigel Brown's Brush with History Sarah Treadwell Architectural Weaving: Maureen Lander's House of Birds Katy Campbell Changing Spaces: Wellington's City to Sea Sculpture Walk Elizabeth Eastmond Alluding to: Hodgkins Books
NUMBER 105 / SUMMER 2002-2003 Contents Exhibitions Anna Miles, Auckland; Courtney Johnston, Wellington Margaret Duncan, Christchurch; Bridie Lonie, Dunedin David Eggleton Earth and Spirit: Robyn Kahukiwa's Mauri Ora! Bronwyn Fletcher Between Fine and Folk: The Paintings of Teuane Tibbo Jonathan Mane Wheoki Change of Tempo: The Queensland Art Gallery's Asia- Pacific Triennial 2002 Andrew Paul Wood Dark Paradise: Notes on the Paintings of Tony de Lautour Richard Wolfe At the Mercy of Nature: The Abstractions of Richard Adams David Howard How to Occupy Ourselves: Seeing Through Roger Hickin Anthony Byrt Looking Apple in the Eye: Mixed Messages in Billy Apple's Severe Tropical Storm 9301 Irma Grant Thompson Morris Kershaw (1912-1977): Photographer of an Era Damian Skinner Modernist Victories: Representation and Reaction at the Sarjeant Gallery Peter Simpson Sculpture on the Waterfront: The PricewaterhouseCoopers Tower Books Letters
NUMBER 106 / AUTUMN 2003 Contents Malcolm Burgess Memetic Field Trials: Christchurch's SCAPE 2002 Peter Wells Incandescent Moment: Fiona Clark's Go Girl Julie King Forging Connections: Margaret Dawson's Out of Sight Art & Craft Suzie Campbell The Landscape Observed: The Art of David Barker Jennifer Hay Ingenious Devices: Recent Sculpture by Andrew Drummond Grant Thompson Morris Kershaw (1912-1977): Photographer of an Era David Craig Michael Stephenson: The Work of Art in an Age of Mechanical, Provincial Reproduction Warwick Brown Mark Cross: Seventeen Years of Painting Sue Gardiner Maungawhau/Mt Eden: A Portrait of a Particular Place Richard Wolfe This is Tomorrow Calling: Streamlined Visions by Bernard Roundhill Peter Lang New Zealand Artists in Berlin: If You Leave Home, Don't Forget to Call Books
NUMBER 107 / WINTER 2003 Contents Exhibitions Tony Green Placing the Art of Pauline Rhodes Michael Dunn Rita Angus & Theo Schoon: An Unlikely Friendship Kyla McFarlane Slow Release: Recent New Zealand Photography Pandora Fulimalo Pereira Vahine: The Negotiation of Context Peter Simpson An Act of Love: Ann Robinson's Pacific Rim at Te Papa Virginia Douglas Engagement and Integrity: The Photography of Rhondda Bosworth Francis Pound A Memory Inhering in Forms: New Sources in the Later Paintings of Gordon Walters Damian Skinner I Believe: Colin McCahon's A Question of Faith Books
NUMBER 108 / SPRING 2003 Exhibitions Peter Ireland A Shape to Part the Space: Joanna Margaret Paul 1945-2003 Anthony Byrt Who's There: Ronnie van Hout and the Anti-Hero Aesthetic Gordon H. Brown The Elusive Modernist: Steve Rumsey's Camera Club Photographs 1948-1964 Malcolm Burgess Open Plan: Tobias Berger Brings Down the House at Artspace Joanne Drayton Kirk's Girls: Andrea du Chatenier's Parallel Universe Edward Hanfling Steel Life: Gregor Kregar in Wanganui Stuart Hoar The Operatic Impulse: Recent Paintings by Nigel Buxton Elizabeth Rankin Reviewing the Commonplace: Greer Twiss at the Auckland Art Gallery Emma Bugden The Rules of Engagement: Linda James' Out of the Chaos David Eggleton Break On Through: Recent Paintings by Ewan McDougall Letter
NUMBER 109 / SUMMER 2003-04 Exhibitions William McAloon Model Worlds: A Decade of Work by Gavin Hipkins Louis Le Vaillant Considering Frank Carpay Edward Hanfling John Radford's Night Kitchen: The Art of Transplasticism Anthony Byrt Horses to Water: A Brief History of the Waikato Art Award(s) Stella Brennan Hitting the Big Time: Nine Lives at Auckland Art Gallery Aaron Lister Robert McLeod: Travelling with the Happy Worm Erin Griffey A Paradoxical Art: Portraiture at te tuhi the mark Richard Wolfe Kaimanawa: Wild Horses on Other Peoples' Property Damian Skinner An Audience for Modernism: Bruce Henry at Wellington's Architectural Centre in 1957 Sarah Hillary Perfect Blue: A Portrait of Betty Curnow Leonard Bell Reading 'Evans': Cartoons, The Star of David & The New Zealand Herald Books
NUMBER 110 / AUTUMN 2004 Wystan
Curnow about et al.'s abnormal mass delusions? Louise Poppelwell Arcadian Weeds: Recent Work by Caroline Rothwell Stella Brennan Cool World: Confronting the New Modernism Damian Skinner Name Calling: The Outsiders at the Sarjeant Gallery Geoff Harris Rediscovered Landscapes: Laurence Berry in Southland Bridie Lome Child's Play: Judy Millar's I is she, as you to me Allan Smith The National and Irrational Grid: Recent Photographs by Patrick Reynolds Suzie Campbell Snapshot Reality: The Painted World of Neal Palmer Riemke Ensing Blast from the Past: The Petar/James Gallery in Another Century Peter Simpson Getting Bigger and Better: The Expansion of Parsons Bookshop Steve Rumsey: A Portfolio Books Letters
NUMBER 111 / WINTER 2004
Exhibitions Pandora Fulimano Pereira Fatu Feu'u: Painter of Tales Rebecca Rice Alive and Kicking?: ImageandObject-Still Life in New Zealand Anne Kirker On Collecting: Carole Shepheard's Museum of Cultural Anxiety Edward Hanfling Current Affairs: Surveying the Second Auckland Triennial Marcus Moore Platforms of Distance: The Art of Maddie Leach Robin Neate King Ink: A Conversation with Jason Greig David Eggleton Weight, Memory, Presence: The Sculpture of Peter Nicholls Tony Green John Kinder's New Zealand Richard Wolfe Leica Rolling Stone: Max Oettli's Photographs of Aucklanders Letters
NUMBER 112 / SPRING 2004 Exhibitions Stella Brennan Pattern Recognition: The Art of Sara Hughes Jennifer Purvis Venetian Strategies: Defending Contemporary Art in New Zealand David Eggleton Bureaucracy of the Self: The Biennale of Sydney 2004 Marcus Moore Episode 2: Telecom Prospect 2004: New Art New Zealand Richard Wolfe Mean Streets: Jacqueline Fahey on Williamson Ave Tony Green The Brush of All Things: A Mirror for Max Malcolm Burgess Human Nature: The Garden's Shifting Role as Subject, Medium, Art or Craft Michael Dunn Roland Hipkins & Renaissance: A Little-Known Painter Reconsidered Peter Simpson A Flourish of Scholarship: Walters en abyme by Francis Pound Books Letters
NUMBER 113 / SUMMER 2004-05 Exhibitions Conal McCarthy Pictures at an Exhibition: Trusttum does Mussorgsky Hamish Keith Pat Hanly 1932-2004 Bridie Lome Global or Local?: The Melbourne Art Fair Anne Kirker A New Zealander at the Pacific Rim: Philippa Blair in Venice Abbey-Rose Lewis Fragments of Former Glory: The Architectural Collages of Lindsey Kirk Norman Bilbrough Portraits of Diversity: Philip Butler's Otahuhu Panels Daniel Rainforth Resident Evil: Richard Lewer in Wanganui, Auckland, Sydney and Beyond Joanne Drayton Picturing a Bohemian: The Extraordinary Career of Rhona Haszard Gina Irish A Place in Time: A 21st Century Documentary Project Books Letters
NUMBER 114 / AUTUMN 2005 Peter Simpson Adornment as Re-Appropriation: The Art of Sofia Tekela-Smith Shona Kallestrup Echoes of Maoriland: The Maori Huts of Queen Marie of Romania Katrina Ward A Sine of the Times: Uncovering the Layers of Art History Peter Shand Toi Te Papa: Art of the Nation 1940 - Today Pennie Hunt Departures and Returns: The Jeffrey Harris Survey Show Ian Wedde Talking about Jeffrey Harris Edward Hanfling The Subject Doesn't Matter: Recent Work by Denys Watkins Elizabeth Rankin Grounded in Memory: The Paintings of Robyn Hughes Debbie Martin Gina Matchitt's Geyserland Hotel Books
NUMBER 115 / WINTER 2005 Exhibitions
Edward Hanfling Auckland; Aaron Lister Wellington Gina Irish Collaborating with Spirit: SCAPE from a Different Angle Tony Green Images of Innocence & Experience: Mixed-Up Childhood at the Auckland Art Gallery Robin Woodward A Waiheke Celebration: Sculpture on the Gulf 2005 Catherine Lane West-Newman The Truth of the Artist as Self: The Paintings of Mary McIntyre Elizabeth Rankin Making/Mocking Modernism: Michael Shepherd's 'Early Years' Danae Mossman The Pulse of the Deep South: Philip Dadson's Polar Projects Sally Blundell The Travelling Cartoon Show: Recent Work by Mark Braunias EmilyCormack Under the Radar: The Interventions of Dane Mitchell and Regan Gentry Ian Wedde Talking About Jeffrey Harris Part Two
NUMBER 116 / SPRING 2005 Exhibitions
Edward Hanfling Auckland;
Rebecca Rice Wellington Ngahiraka Mason Open for Interpretation: The Art of Reuben Paterson Gail Ross A Sullen Modernist: Frank Weitzel (1903-1932) Anthony Byrt Beautiful Game: New Zealand at the 51st Venice Biennale Marcus Moore SHOW Solo Richard Wolfe Confronting Issues: The Photographs of Ans Westra Heather Galbraith Document Meets Drama: Ann Shelton's A kind of sleep Gavin Hipkins Dugout: Wayne Barrar's Subterra Linda Tyler Fleur Yorston: Beyond a Body of Ornament Bridie Lonie Touching the Unthinkable: An Artist's Guide to Breast Cancer Damian Skinner Build It And They Will Come: The Expansion of Art Galleries in New Zealand John Drawbridge (1930-2005) Una Oakley Platts (1908-2005) Books
NUMBER 117 / SUMMER 2005-2006 Contents Exhibitions
Edward Hanfling Auckland; Rebecca Rice Wellington Gina Irish Southbound: Artists to Antarctica Ngarino Ellis Te Hei Tiki: Between Tradition and Modernity Wystan Curnow From Taranaki to Toronto: A Conversation with Greg Burke Owen Davidson Spirit and Form: The Art of Lorene Taurerewa Jane Marshall A Dialectic of Terror and Temptation: Evan Woodruffe's Lost Blue Heaven Roger Boyce Une Chance de Trop: Scott Flanagan and James Robinson at 64zero3 Andrew Paul Wood Pentimento: The Painting of Robin Neate Christopher Johnstone The First Wave: Contemporary New Zealand Artists in Europe in the 1960s Books
NUMBER 118 / AUTUMN 2006 Contents Lisa Reihana Maps and Memories: The Art of Star Gossage Jane Griffin The Second Beijing Biennale: A New Zealander in China Christina Barton Finding the Pattern: The Photographs of Fiona Amundsen Richard Wolfe Lost and Found: Heather Straka Paints an Illusion of Paradise Elizabeth Rankin Achilles and Ajax in Aotearoa: Marian Maguire's Southern Nights Barbara Garrie Necessary Illusion: Max Podstolski & The Primitive Bird Group Margaret Duncan Riddle and Reflection: Joanna Braithwaite's Wonderland Damian Skinner Unhinged: Jewellery by Jason Hall Books
NUMBER 119 / WINTER 2006 Contents Exhibitions
Edward Hanfling Auckland; Rebecca Rice Wellington Damian Skinner A Modest Modernism: A Conversation with Juliet Peter Felicity Milburn Girl Interrupted: The Art of Luise Fong Ruth Harvey Fact or Fiction? The Photographic Illusions of Bill Culbert and Ben Cauchi Wystan Curnow Billy Apple: A History of the Brand Peter Simpson Closing the Circle: John Hadwen (1952-2005) Roger Blackley The Shadow Maker: Gottfried Lindauer in Hawke's Bay Michael Organ A Colonial Curiosity: The Drawing Book of Captain Westmacott Books Letters
NUMBER 120 / SPRING 2006 Contents Exhibitions
Edward Hanfling Auckland; Rebecca Rice Masterton/Wanganui Leonard Bell Sojourner in a Foreign Land: The Photographs of Richard Sharell (1893-1986) Edward Lucie Smith The Artisanal Metaphor: Chris Booth in Europe Christopher Johnstone Chris Booth: A Conversation Malcolm Burgess Maps of the Human Art: Charting the Traumatic Terrain of the 15th Sydney Biennale Olivia Crisp The Artist Has Many Faces: Looking at Donna Demente and Her Art Gina Irish Joanna Langford: Adventures in Fantasia Edward Hanfling Threading a Fine Twine: A Critical Response to the Art of Megan Hansen-Knarhoi David Eggleton Yonder, Yes Yonder: The Paintings of Christine Gregory Books
NUMBER 121 / SUMMER 2006-2007 Contents Exhibitions
Edward Hanfling Auckland; Rebecca Rice Wellington Christopher Johnstone Chris Booth: A Conversation Part 2 Peter Simpson Just Not Painting: The Walters Prize 2006 Aaron Lister Kedgley's Flock: Birds at Pataka Andrew Paul Wood Fugues and Labyrinths: Julia Morison's a loop around a loop Chrissie Craig Enigmatic Treasures: The Art of Tony Lane Gina Irish Drawing Closer: John Crawford's Works on paper Peter Ireland Making a Case: Derek Henderson's Terrible Boredom of Paradise Damian Skinner Velvet Modernism: Kase Jackson in Rotorua Martin Rumsby Darcy Lange: Study of an Artist at Work Books
NUMBER 122 / AUTUMN 2007 Contents Roger Horrocks John Reynolds: Painting, Planting and Performance Peter Wells The Inimitable Mr Cohn: Denis Cohn 1933-2006 Allan Smith Thomas Newman Pound: The Rush of Slowness Rebecca Rice Collecting Histories: The Legacy of the Collector in the Turnbull Library Peter Ireland Ava's Amazing Adventure: Ava Seymour's The White House Years Kathryn Mitchell Nic Moon: The Artist Seeks Sanctuary John Hurrell Sea through Wall: The Art of Esther Leigh David Eggleton Up from the Swamp: The Creation Myths of Rohan Wealleans Peter Simpson Snapper(-up) of Unconsidered Trifles: Peter Peryer's Summertime in Wanganui Books
NUMBER 123 / WINTER 2007 Contents Exhibitions
Edward Hanfling Auckland; Rebecca Rice Wellington Ngarino Ellis The Bountiful and Beautiful Bush: Nigel Borell's Pirirakau Wystan Curnow Lye Centre Going Forward: Decisions & Exhibitions Honour Artist's Gift to New Plymouth Edward Hanfling Salon of 2007: Turbulence: The Third Auckland Triennial Tessa Laird Finding the Gate: Who's Afraid of the Big Bad Wolf at te tuhi? Carole Shepheard A Window on an Inner World: The Painting of Cristina Popovici Maari McCluskey Drawn from Life: The Art of Anita DeSoto Leonard Bell A Stranger Everywhere: Douglas MacDiarmid & New Zealand Richard Wolfe All in Character: Nobby Clark Encounters Auckland David Eggleton Night Has a Thousand Eyes: The Photographic Appropriations of Ben Webb Books
NUMBER 124 / SPRING 2007 Contents Exhibitions
Edward Hanfling Auckland; Abby Cunnane Wellington Denys Trussell Will to Meaning: A Painter's Language in the Fabric of History Roger Boyce Garden of Forking Paths: The Borges Connection David Eggleton World in a Wooden Box: The Photographs of Laurence Aberhart Ruth Harvey The Dynamics of Difference: Photography's Influence in the Work of Elizabeth Thomson Ngahiraka Mason Tu Tu Ana Te Puehu: To Seek, To Know, To Resolve Edward Hanfling He's a Mod: Ray Thorburn's Line to Line at Te Manawa Elizabeth Rankin Vessels of Meaning: Brett Graham's Whaowhia Roger Blackley The Twilight World ofW. G. Baker Anna Smith Aqualung Blues: The Art of Charlotte Handy Mark Stocker Moore is More: New Zealand and the Henry Moore Exhibition 1956-1957 Books
NUMBER 125 / SUMMER 2007-2008 Contents Exhibitions
Edward Hanfling Auckland; Abby Cunnane Wellington William Dart Building on a Tradition: Auckland's Holloway Press Ngahiraka Mason Reflection & Reconciliation: Pakeha Now! at Nelson John Hurrell Tumbling Whorls of Hazy Chroma: The Recent Neon Reliefs of Paul Hartigan Alan Wright Plane issues: Geoff Thornley's Constructions 1978-82 Richard Wolfe At the Altar of History: William Dunning's Visions of Colonial New Zealand Gail Ross Art & Industry: Frederick Halford Coventry (1905-1997) Damian Skinner Edgar Mansfield: New Zealand's Extraordinary Artist-Craftsman Peter Ireland Shaking to Pieces: The Photographs of Richard Barraud Books
NUMBER 126 / AUTUMN 2008
Contents J.B. Trezise Shifting the Balance: The Abstract Art of Roy Good Lissa Mitchell Sojourns in the 'Garden of the Gods' Justin Paton This Melting Way: A Conversation with Judy Millar David Eggleton Marvellous Monstrosities: The Sculptures of Nicole Page-Smith Andrew Paul Wood Eros and Thanatos: The World of Kushana Bush Megan Tamati-Quennell Extending the Whanau: Lisa Reihana's Digital Marae Kathryn Mitchell Michael Armstrong: Power, Sex and Death Edward Hanfling Hard to Grasp: Looking Closely at the Early Work of Douglas Badcock Douglas Lloyd Jenkins We Are Sending You Some Biscuits: Arthur Breckon and the Photo-Essay Books
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