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CONTENTS ISSUES 101 - current

NUMBER 101 / SUMMER 2001-02

 Contents

Exhibitions
    Jon Bywater, Auckland;  Aaron Lister, Wellington
    Margaret Duncan, Christchurch;  Rob Garrett, Dunedin

Roger Horrocks  In and Out of History: A Century of Len Lye

Edward Hanfling  All in a Quiver: Ian Scott's Sexy Sprayed Stripes 

Robin Woodward  Temples of Wonder: Peter Wells Returns to Napier 

Virginia Douglas  Art Forum Series 2001: Serving Up Food For Thought 

Christina Barton  New Horizons: New Zealand in Venice 

David Eggleton  When Pop Ironists Come Out to Pray: Telecom Prospect 2001 
            New Art New Zealand 

Vin Ryan  Adrift in Melbourne: The Trans- Tasman Challenge 

Peter Simpson  Leigh Christensen ' s Urban Arteries: Nature and Culture on Collision Course

Leonard Bell  Irene Koppel: A Forgotten 'New' Photographer in New Zealand 

Vickie Heamshaw  Juliet Peter: Painter, Potter, Printmaker

Elizabeth J. Kerr  Drawings in Open Space: The Fictive World of Claire Beynon

Books

Letters

 

NUMBER 102 / AUTUMN 2002

Contents

David Eggleton The Skull Orchard: Paintings by Jeffrey Harris 

Lisa Beaven Taking Flight: The Airborne and Hybrid Images of Joanna Braithwaite

New Sights New Sites: A Review of Art in Te Papa 

Deidre Brown Affirming a Legacy: Purangiaho Seeing Clearly

Lisa Reihana Flipping & Gliding, Grinning & Flying: The Art of John Walsh 

Bridie Lonie & Susan Ballard Teresa Andrew: On Moving

Moyra Elliott Past Experience: Christine Boswijk in Nelson

Wendy Grace Dawson Visualising with Mr Bean: The Second Goodman Suter Contemporary Art Project

Michael Dunn Theo Schoon: Outsider Artist. Reminiscences of a Friend and Mentor

Lawrence McDonald Mondo Illingworth: A Tourist in Paradise Lost: The Art of Michael Illingworth

Mark Stocker Maurice Askew: From Coronation Street to Birdlings Flat 

Peter Simpson McCahon' s A Candle in a Dark Room: A Postscript

Books

Letters

NUMBER 103 / WINTER 2002

 Contents

Exhibitions
    Jon Bywater, Auckland;  Courtney Johnston, Wellington
    Margaret Duncan, Christchurch;  Bridie Lonie, Dunedin

Justin Paton  Special Agent: Michael Parekowhai's Generous Duplicity 

Catherine Lane West-Newman  Reading Sylvia Siddell

Gregory O'Brien  Room, Corridor, Adjoining Room: Anne Noble-States of Grace

Richard Wolfe  Worlds Apart: Recent Painting by Susan Wilson 

Suzanne MacAuley  Lauren Lysaght, Citizen Artist

Mark Stocker  A Window into John Drawbridge

Jillian Cassidy  Imaging the Text: The Word Prints of Eileen Mayo (1906-1994)

Books

Letters

NUMBER 104 / SPRING 2002

 Contents

Exhibitions
    Jon Bywater, Auckland;  Courtney Johnston, Wellington
    Margaret Duncan, Christchurch;  Susan Ballard, Dunedin

Damian Skinner  'Things that have a long way to go': A Biography of Kate Coolahan

Roger Blackley  Every Picture Tells a Story: Victorian Art from Australasian Collections

Trish Gribben Identity Thrives at Birds Nest

Peter Ireland In the Pursuit of Beauty & Perfection: Photographs by Gordon Burt & Fiona Clark

David Eggleton  Nationalising Energy: The 2002 Walters Prize Exhibition

Riemke Ensing  Continuing Lines: Recent Paintings by Pippa Sanderson

Richard Wolfe  This Way-That Way: Nigel Brown's Brush with History

Sarah Treadwell  Architectural Weaving: Maureen Lander's House of Birds

Katy Campbell  Changing Spaces: Wellington's City to Sea Sculpture Walk

Elizabeth Eastmond  Alluding to: Hodgkins

Books

NUMBER 105 / SUMMER 2002-2003

Contents

Exhibitions

     Anna Miles, Auckland;  Courtney Johnston, Wellington

     Margaret Duncan, Christchurch; Bridie Lonie, Dunedin

David Eggleton  Earth and Spirit: Robyn Kahukiwa's Mauri Ora! 

Bronwyn Fletcher  Between Fine and Folk: The Paintings of Teuane Tibbo

Jonathan Mane Wheoki  Change of Tempo: The Queensland Art Gallery's Asia- Pacific Triennial 2002 

Andrew Paul Wood  Dark Paradise: Notes on the Paintings of Tony de Lautour

Richard Wolfe  At the Mercy of Nature: The Abstractions of Richard Adams

David Howard  How to Occupy Ourselves: Seeing Through Roger Hickin

Anthony Byrt  Looking Apple in the Eye: Mixed Messages in Billy Apple's Severe Tropical Storm 9301 Irma

Grant Thompson  Morris Kershaw (1912-1977): Photographer of an Era

Damian Skinner  Modernist Victories: Representation and Reaction at the Sarjeant Gallery 

Peter Simpson  Sculpture on the Waterfront: The PricewaterhouseCoopers Tower

Books

Letters

NUMBER 106 / AUTUMN 2003

Contents

Malcolm Burgess  Memetic Field Trials: Christchurch's SCAPE 2002 

Peter Wells  Incandescent Moment: Fiona Clark's Go Girl 

Julie King  Forging Connections: Margaret Dawson's Out of Sight Art & Craft 

Suzie Campbell  The Landscape Observed: The Art of David Barker 

Jennifer Hay  Ingenious Devices: Recent Sculpture by Andrew Drummond

Grant Thompson  Morris Kershaw (1912-1977): Photographer of an Era 

David Craig  Michael Stephenson: The Work of Art in an Age of Mechanical, Provincial Reproduction

Warwick Brown  Mark Cross: Seventeen Years of Painting

Sue Gardiner  Maungawhau/Mt Eden: A Portrait of a Particular Place

Richard Wolfe  This is Tomorrow Calling: Streamlined Visions by Bernard Roundhill

Peter Lang  New Zealand Artists in Berlin: If You Leave Home, Don't Forget to Call 

Books

NUMBER 107 / WINTER 2003

Contents

Exhibitions
     Jon Bywater, Auckland;  Aaron  Lister, Wellington
     Pennie Hunt, Dunedin

Tony Green  Placing the Art of Pauline Rhodes 

Michael Dunn  Rita Angus & Theo Schoon: An Unlikely Friendship

Kyla McFarlane  Slow Release: Recent New Zealand Photography 

Pandora Fulimalo  Pereira Vahine: The Negotiation of Context 

Peter Simpson  An Act of Love: Ann Robinson's Pacific Rim at Te Papa

Virginia Douglas  Engagement and Integrity: The Photography of Rhondda Bosworth 

Francis Pound  A Memory Inhering in Forms: New Sources in the Later Paintings of Gordon Walters 

Damian Skinner  I Believe: Colin McCahon's A Question of Faith 

Books

 

NUMBER 108 / SPRING 2003

Exhibitions
    Anna Miles Auckland; Aaron List, Wellington
    Gina Irish, Christchurch; Pennie Hunt, Dunedin

Peter Ireland  A Shape to Part the Space: Joanna Margaret Paul 1945-2003

Anthony Byrt  Who's There: Ronnie van Hout and the Anti-Hero Aesthetic

Gordon H. Brown The Elusive Modernist: Steve Rumsey's Camera Club Photographs 1948-1964

Malcolm Burgess Open Plan: Tobias Berger Brings Down the House at Artspace

Joanne Drayton  Kirk's Girls: Andrea du Chatenier's Parallel Universe

Edward Hanfling  Steel Life: Gregor Kregar in Wanganui

Stuart Hoar The Operatic Impulse: Recent Paintings by Nigel Buxton

Elizabeth Rankin Reviewing the Commonplace: Greer Twiss at the Auckland Art Gallery

Emma Bugden The Rules of Engagement: Linda James' Out of the Chaos

David Eggleton Break On Through: Recent Paintings by Ewan McDougall

Letter

 

NUMBER 109 / SUMMER 2003-04

Exhibitions
     Jon Bywater, Auckland;  Rebecca Rice, Wellington
     Gina Irish, Christchurch; Pennie Hunt, Dunedin

William McAloon  Model Worlds: A Decade of Work by Gavin Hipkins 

Louis Le Vaillant Considering Frank Carpay

Edward Hanfling  John Radford's Night Kitchen: The Art of Transplasticism 

Anthony Byrt  Horses to Water: A Brief History of the Waikato Art Award(s) 

Stella Brennan  Hitting the Big Time: Nine Lives at Auckland Art Gallery 

Aaron Lister  Robert McLeod: Travelling with the Happy Worm 

Erin Griffey  A Paradoxical Art: Portraiture at te tuhi the mark

Richard Wolfe  Kaimanawa: Wild Horses on Other Peoples' Property

Damian Skinner An Audience for Modernism: Bruce Henry at Wellington's Architectural Centre in 1957

Sarah Hillary Perfect Blue: A Portrait of Betty Curnow

Leonard Bell Reading 'Evans': Cartoons, The Star of David & The New Zealand Herald

Books

NUMBER 110 / AUTUMN 2004

Wystan Curnow  about et al.'s abnormal mass delusions?

Joanne Drayton  The Haunting: Frances Hodgkins & Jenny Wimperis 

Louise Poppelwell  Arcadian Weeds: Recent Work by Caroline Rothwell 

Stella Brennan  Cool World: Confronting the New Modernism 

Damian Skinner  Name Calling: The Outsiders at the Sarjeant Gallery 

Geoff Harris  Rediscovered Landscapes: Laurence Berry in Southland 

Bridie Lome  Child's Play: Judy Millar's I is she, as you to me 

Allan Smith  The National and Irrational Grid: Recent Photographs by Patrick Reynolds 

Suzie Campbell  Snapshot Reality: The Painted World of Neal Palmer 

Riemke Ensing  Blast from the Past: The Petar/James Gallery in Another Century 

Peter Simpson  Getting Bigger and Better: The Expansion of Parsons Bookshop 

Steve Rumsey: A Portfolio

Books

Letters

NUMBER 111 / WINTER 2004

 

Exhibitions
     Jon Bywater, Auckland;  Rebecca Rice, Wellington
     Gina Irish, Christchurch; Pennie Hunt, Dunedin

Pandora Fulimano Pereira  Fatu Feu'u: Painter of Tales

Rebecca Rice  Alive and Kicking?: ImageandObject-Still Life in New Zealand 

Anne Kirker  On Collecting: Carole Shepheard's Museum of Cultural Anxiety 

Edward Hanfling  Current Affairs: Surveying the Second Auckland Triennial 

Marcus Moore  Platforms of Distance: The Art of Maddie Leach

Robin Neate  King Ink: A Conversation with Jason Greig

David Eggleton  Weight, Memory, Presence: The Sculpture of Peter Nicholls 

Tony Green  John Kinder's New Zealand 

Richard Wolfe  Leica Rolling Stone: Max Oettli's Photographs of Aucklanders 

Letters

NUMBER 112 / SPRING 2004

Exhibitions
     Edward Hanfling, Auckland;  Rebecca Rice, Wellington
     Gina Irish, Christchurch; Pennie Hunt, Dunedin

Stella Brennan  Pattern Recognition: The Art of Sara Hughes 

Jennifer Purvis  Venetian Strategies: Defending Contemporary Art in New Zealand 

David Eggleton  Bureaucracy of the Self: The Biennale of Sydney 2004 

Marcus Moore  Episode 2: Telecom Prospect 2004: New Art New Zealand

Richard Wolfe  Mean Streets: Jacqueline Fahey on Williamson Ave 

Tony Green  The Brush of All Things: A Mirror for Max 

Malcolm Burgess Human Nature: The Garden's Shifting Role as Subject, Medium, Art or Craft 

Michael Dunn Roland Hipkins & Renaissance: A Little-Known Painter Reconsidered 

Peter Simpson A Flourish of Scholarship: Walters en abyme by Francis Pound 

Books  

Letters

NUMBER 113 / SUMMER 2004-05

Exhibitions
     Edward Hanfling, Auckland; Rebecca Rice, Wellington 
    Gina Irish, Christchurch; Pennie Hunt, Dunedin 

Conal McCarthy  Pictures at an Exhibition: Trusttum does Mussorgsky

Hamish Keith  Pat Hanly 1932-2004 

Bridie Lome  Global or Local?: The Melbourne Art Fair 

 Anne Kirker  A New Zealander at the Pacific Rim: Philippa Blair in Venice 

Abbey-Rose Lewis  Fragments of Former Glory: The Architectural Collages of Lindsey Kirk 

Norman Bilbrough  Portraits of Diversity: Philip Butler's Otahuhu Panels 

Daniel Rainforth  Resident Evil: Richard Lewer in Wanganui, Auckland, Sydney and Beyond 

Joanne Drayton  Picturing a Bohemian: The Extraordinary Career of Rhona Haszard 

Gina Irish  A Place in Time: A 21st Century Documentary Project

Books  

Letters

NUMBER 114 / AUTUMN 2005

Peter Simpson  Adornment as Re-Appropriation: The Art of Sofia Tekela-Smith 

Shona Kallestrup Echoes of Maoriland: The Maori Huts of Queen Marie of Romania 

Katrina Ward  A Sine of the Times: Uncovering the Layers of Art History 

Peter Shand  Toi Te Papa: Art of the Nation 1940 - Today

Pennie Hunt  Departures and Returns: The Jeffrey Harris Survey Show

Ian Wedde  Talking about Jeffrey Harris

Edward Hanfling  The Subject Doesn't Matter: Recent Work by Denys Watkins

Elizabeth Rankin  Grounded in Memory: The Paintings of Robyn Hughes

Debbie Martin Gina Matchitt's Geyserland Hotel

Books

NUMBER 115 / WINTER 2005

Exhibitions

   Edward Hanfling Auckland; Aaron Lister Wellington
   Gina Irish Christchurch; Kathryn Mitchell Dunedin

Gina Irish  Collaborating with Spirit: SCAPE from a Different Angle

Tony Green  Images of Innocence & Experience: Mixed-Up Childhood at the Auckland Art Gallery

Robin Woodward A Waiheke Celebration: Sculpture on the Gulf 2005

Catherine Lane West-Newman The Truth of the Artist as Self: The Paintings of Mary McIntyre

Elizabeth Rankin Making/Mocking Modernism: Michael Shepherd's 'Early Years'

Danae Mossman The Pulse of the Deep South: Philip Dadson's Polar Projects

Sally Blundell The Travelling Cartoon Show: Recent Work by Mark Braunias

EmilyCormack Under the Radar: The Interventions of Dane Mitchell and Regan Gentry

Ian Wedde Talking About Jeffrey Harris Part Two

 

NUMBER 116 / SPRING 2005

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Wellington
   Kathryn Mitchell Dunedin

Ngahiraka Mason Open for Interpretation: The Art of Reuben Paterson

Gail Ross A Sullen Modernist: Frank Weitzel (1903-1932)

Anthony Byrt Beautiful Game: New Zealand at the 51st Venice Biennale

Marcus Moore SHOW Solo

Richard Wolfe Confronting Issues: The Photographs of Ans Westra

Heather Galbraith Document Meets Drama: Ann Shelton's A kind of sleep

Gavin Hipkins Dugout: Wayne Barrar's Subterra

Linda Tyler Fleur Yorston: Beyond a Body of Ornament

Bridie Lonie Touching the Unthinkable: An Artist's Guide to Breast Cancer

Damian Skinner Build It And They Will Come: The Expansion of Art Galleries in New Zealand

John Drawbridge (1930-2005)

Una Oakley Platts (1908-2005)

Books

 

 

NUMBER 117 / SUMMER 2005-2006

Contents

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Wellington
   Gina Irish Christchurch; Kathryn Mitchell Dunedin

Gina Irish Southbound: Artists to Antarctica

Ngarino Ellis Te Hei Tiki: Between Tradition and Modernity Wystan Curnow From Taranaki to Toronto: A Conversation with Greg Burke

Owen Davidson Spirit and Form: The Art of Lorene Taurerewa

Jane Marshall A Dialectic of Terror and Temptation: Evan Woodruffe's Lost Blue Heaven 

Roger Boyce Une Chance de Trop: Scott Flanagan and James Robinson at 64zero3

Andrew Paul Wood Pentimento: The Painting of Robin Neate

Christopher Johnstone The First Wave: Contemporary New Zealand Artists in Europe in the 1960s 

Books

 

NUMBER 118 / AUTUMN 2006

Contents

Lisa Reihana  Maps and Memories: The Art of Star Gossage

Jane Griffin  The Second Beijing Biennale: A New Zealander in China 

Christina Barton  Finding the Pattern: The Photographs of Fiona Amundsen 

Richard Wolfe  Lost and Found: Heather Straka Paints an Illusion of Paradise 

Elizabeth Rankin  Achilles and Ajax in Aotearoa: Marian Maguire's Southern Nights

Barbara Garrie  Necessary Illusion: Max Podstolski & The Primitive Bird Group 

Margaret Duncan  Riddle and Reflection: Joanna Braithwaite's Wonderland 

Damian Skinner  Unhinged: Jewellery by Jason Hall 

Books

 

NUMBER 119 / WINTER 2006

Contents

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Wellington
   Gina Irish Christchurch; Kathryn Mitchell Dunedin

Damian Skinner A Modest Modernism: A Conversation with Juliet Peter

Felicity Milburn  Girl Interrupted: The Art of Luise Fong 

Ruth Harvey  Fact or Fiction? The Photographic Illusions of Bill Culbert and Ben Cauchi

Wystan Curnow  Billy Apple: A History of the Brand

Peter Simpson  Closing the Circle: John Hadwen (1952-2005)

Roger Blackley  The Shadow Maker: Gottfried Lindauer in Hawke's Bay

Michael Organ  A Colonial Curiosity: The Drawing Book of Captain Westmacott

Books

Letters

 

NUMBER 120 / SPRING 2006

Contents

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Masterton/Wanganui
   Kate Montogomery Christchurch; Kathryn Mitchell Dunedin

Leonard Bell  Sojourner in a Foreign Land: The Photographs of Richard Sharell (1893-1986)

Edward Lucie Smith  The Artisanal Metaphor: Chris Booth in Europe 

Christopher Johnstone  Chris Booth: A Conversation

Malcolm Burgess  Maps of the Human Art: Charting the Traumatic Terrain of the 15th Sydney Biennale

Olivia Crisp  The Artist Has Many Faces: Looking at Donna Demente and Her Art

Gina Irish  Joanna Langford: Adventures in Fantasia

Edward Hanfling  Threading a Fine Twine: A Critical Response to the Art of Megan Hansen-Knarhoi

David Eggleton  Yonder, Yes Yonder: The Paintings of Christine Gregory

Books

 

NUMBER 121 / SUMMER 2006-2007 

Contents

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Wellington
   Kate Montgomery Christchurch; Kathryn Mitchell Dunedin

Christopher Johnstone  Chris Booth: A Conversation Part 2

Peter Simpson  Just Not Painting: The Walters Prize 2006

Aaron Lister  Kedgley's Flock: Birds at Pataka 

Andrew Paul Wood  Fugues and Labyrinths: Julia Morison's a loop around a loop 

Chrissie Craig  Enigmatic Treasures: The Art of Tony Lane

Gina Irish  Drawing Closer: John Crawford's Works on paper

Peter Ireland  Making a Case: Derek Henderson's Terrible Boredom of Paradise

Damian Skinner Velvet Modernism: Kase Jackson in Rotorua 

Martin Rumsby  Darcy Lange: Study of an Artist at Work

Books

 

NUMBER 122 / AUTUMN 2007 

Contents

Roger Horrocks  John Reynolds: Painting, Planting and Performance

Peter Wells The Inimitable Mr Cohn: Denis Cohn 1933-2006

Allan Smith Thomas Newman Pound: The Rush of Slowness

Rebecca Rice  Collecting Histories: The Legacy of the Collector in the Turnbull Library

Peter Ireland  Ava's Amazing Adventure: Ava Seymour's The White House Years

Kathryn Mitchell  Nic Moon: The Artist Seeks Sanctuary

John Hurrell Sea through Wall: The Art of Esther Leigh

David Eggleton  Up from the Swamp: The Creation Myths of Rohan Wealleans

Peter Simpson  Snapper(-up) of Unconsidered Trifles: Peter Peryer's Summertime in Wanganui

Books

NUMBER 123 / WINTER 2007

Contents

Exhibitions

   Edward Hanfling Auckland; Rebecca Rice Wellington
   Kate Montgomery Christchurch; Kathryn Mitchell Dunedin

Ngarino Ellis  The Bountiful and Beautiful Bush: Nigel Borell's Pirirakau

Wystan Curnow Lye Centre Going Forward: Decisions & Exhibitions Honour Artist's Gift to New Plymouth

Edward Hanfling  Salon of 2007: Turbulence: The Third Auckland Triennial 

Tessa Laird  Finding the Gate: Who's Afraid of the Big Bad Wolf at te tuhi? 

Carole Shepheard A Window on an Inner World: The Painting of Cristina Popovici 

Maari McCluskey  Drawn from Life: The Art of Anita DeSoto

Leonard Bell  A Stranger Everywhere: Douglas MacDiarmid & New Zealand 

Richard Wolfe All in Character: Nobby Clark Encounters Auckland 

David Eggleton Night Has a Thousand Eyes: The Photographic Appropriations of Ben Webb 

Books

 

NUMBER 124 / SPRING 2007

Contents

Exhibitions

   Edward Hanfling Auckland; Abby Cunnane Wellington
   Kate Montgomery Christchurch; Kathryn Mitchell Dunedin

Denys Trussell  Will to Meaning: A Painter's Language in the Fabric of History 

Roger Boyce  Garden of Forking Paths: The Borges Connection

David Eggleton  World in a Wooden Box: The Photographs of Laurence Aberhart

Ruth Harvey  The Dynamics of Difference: Photography's Influence in the Work of Elizabeth Thomson 

Ngahiraka Mason  Tu Tu Ana Te Puehu: To Seek, To Know, To Resolve 

Edward Hanfling  He's a Mod: Ray Thorburn's Line to Line at Te Manawa 

Elizabeth Rankin  Vessels of Meaning: Brett Graham's Whaowhia 

Roger Blackley  The Twilight World ofW. G. Baker

Anna Smith  Aqualung Blues: The Art of Charlotte Handy 

Mark Stocker  Moore is More: New Zealand and the Henry Moore Exhibition 1956-1957 

Books

 

NUMBER 125 / SUMMER 2007-2008

Contents

Exhibitions

   Edward Hanfling Auckland; Abby Cunnane Wellington
   Harold Grieves Christchurch; Kathryn Mitchell Dunedin

William Dart  Building on a Tradition: Auckland's Holloway Press 

Ngahiraka Mason  Reflection & Reconciliation: Pakeha Now! at Nelson 

John Hurrell  Tumbling Whorls of Hazy Chroma: The Recent Neon Reliefs of Paul Hartigan 

Alan Wright  Plane issues: Geoff Thornley's Constructions 1978-82 

Richard Wolfe  At the Altar of History: William Dunning's Visions of Colonial New Zealand 

Gail Ross  Art & Industry: Frederick Halford Coventry (1905-1997) 

Damian Skinner  Edgar Mansfield: New Zealand's Extraordinary Artist-Craftsman 

Peter Ireland  Shaking to Pieces: The Photographs of Richard Barraud

Books

 

NUMBER 126 / AUTUMN 2008

 

Contents

J.B. Trezise  Shifting the Balance: The Abstract Art of Roy Good

Lissa Mitchell  Sojourns in the 'Garden of the Gods' 

Justin Paton  This Melting Way: A Conversation with Judy Millar

David Eggleton  Marvellous Monstrosities: The Sculptures of Nicole Page-Smith 

Andrew Paul Wood  Eros and Thanatos: The World of Kushana Bush

Megan Tamati-Quennell  Extending the Whanau: Lisa Reihana's Digital Marae

Kathryn Mitchell  Michael Armstrong: Power, Sex and Death

Edward Hanfling  Hard to Grasp: Looking Closely at the Early Work of Douglas Badcock

Douglas Lloyd Jenkins  We Are Sending You Some Biscuits: Arthur Breckon and the Photo-Essay 

Books